Who painted Sawai Prithi Singh?

Sawai Prithi Singh was painted by Ram Gopal in 1850.

Where can I see Sawai Prithi Singh?

Sawai Prithi Singh is held by Victoria and Albert Museum.

What movement is Sawai Prithi Singh?

Sawai Prithi Singh is associated with Patna School of Painting.

Can I buy a print of Sawai Prithi Singh?

Museum-quality prints of Sawai Prithi Singh are available made-to-order from Artifact World Gallery.

Artwork

Sawai Prithi Singh

Ram Gopal , 1850

Sawai Prithi Singh is a paint painting by the Patna School of Painting artist Ram Gopal. It dates from 1850 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

The work is a portrait of Sawai Prithi Singh executed in opaque watercolour combined with gold leaf on paper, which has subsequently been affixed to a cardboard backing. The composition centers the figure against a simple green circular field that radiates a subtle halo, emphasizing the sitter’s presence without elaborate background detail.

Subject & Meaning

The subject is depicted wearing a vivid red turban and white robes, both richly ornamented with gold embroidery. He holds a small pink flower in one hand, while a sword hangs at his side, suggesting a blend of ceremonial dignity and personal refinement. The faint luminous aura surrounding his head may allude to status or spiritual significance.

Technique & Style

The overall style is precise and controlled, reflecting a hand‑crafted approach typical of traditional South Asian portraiture.

The artist employed opaque watercolour, allowing for solid blocks of colour and fine detailing, particularly in the intricate patterns of the clothing and jewelry. Gold leaf is applied to accentuate decorative elements, creating a reflective contrast with the matte pigments. The overall style is precise and controlled, reflecting a hand‑crafted approach typical of traditional South Asian portraiture.

History & Provenance

The portrait is mounted on cardboard, a common practice for preserving delicate paper works. While the exact date and creator remain unspecified, the use of Hindi‑like script at the lower edge indicates a cultural context within the Indian subcontinent. The piece is part of a collection that includes comparable works, offering insight into regional portrait traditions.