Elle tire de sa poitrine une eponge toute noire, la couvre de baisers (She draws from her bosom a sponge, perfectly black, and covers it with kisses)
1896
ink
From the collection of National Gallery of Art
1896
ink
From the collection of National Gallery of Art
Elle tire de sa poitrine une eponge toute noire, la couvre de baisers (She draws from her bosom a sponge, perfectly black, and covers it with kisses) is a 1896 ink by Odilon Redon, a Impressionism work, held at National Gallery of Art.
This sketch shows a woman with a black hat and a long dress. She’s holding a dark sponge to her face, like she’s kissing it. The lines are rough and scratchy, almost like a quick drawing. The artist used a method called lithography—it’s like drawing on stone, then printing it. The rough edges and dark shapes make it feel dreamy. Next, check out lithography to see how artists print images this way.
Born Bertrand-Jean Redon on 20 April 1840 in Bordeaux, the artist adopted the name Odilon from his mother, Marie-Odile.
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