Artwork
John Strong Adams
John Strong Adams is an ink print by the Romanticist artist Charles B. J. Févret de Saint-Mémin. It dates from 1809 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:lower center mount in black ink by unknown hand: Adam.; lower center mount in graphite by unknown hand: John s
About this work
His coat and hair look almost real thanks to cross-hatching, a technique where fine lines create shadows and depth.
John Strong Adams stares straight at you from this dark, serious portrait. The man’s sharp profile stands out in soft light against a plain dark background. His coat and hair look almost real thanks to cross-hatching, a technique where fine lines create shadows and depth.
This print is a mezzotint, a style where the artist roughens a metal plate to hold ink. It was made in 1809, a time when small portraits like this were popular for showing off status. The paper feels delicate under glass, a quiet sign of care.
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Overview
This portrait print, created in 1809, features John Strong Adams in a profile view, set against a plain dark background. Executed in mezzotint and engraving on wove paper, it is mounted on brown wove paper.
Subject & Meaning
The subject, John Strong Adams, is portrayed with direct gaze, conveying a sense of seriousness. The overall somber tone and refined depiction suggest the print may have served to signify the sitter's status during a period when small, detailed portraits were fashionable among the elite.
Technique & Style
The artist, Charles B. J. Févret de Saint-Mémin, utilized cross-hatching to achieve realistic textures, particularly in Adams' coat and hair. The mezzotint technique, involving roughening a metal plate to retain ink, contributes to the print's deep, shaded areas and soft lighting effects.
History & Provenance
The print is part of the Corcoran Collection, indicating its inclusion in a notable art collection. However, specific details about its creation context or Adams' significance beyond the portrait are not provided.
Context
Produced in 1809, this work reflects the early 19th-century penchant for small, intricately crafted portraits as symbols of social standing. The choice of mezzotint, a technique capable of producing rich, detailed images, aligns with the artistic preferences of the time.
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Artist & collection
Artist
Charles B. J. Févret de Saint-Mémin
Charles Balthazar Julien Févret de Saint-Mémin (French pronunciation: ; 1770–1852) was a French portrait painter and museum director.
