Mrs. Edward Kellogg

The portrait was executed in oil paint on a wooden panel, a medium typical of early‑19th‑century American portraiture. The work measures approximately 84.8 cm in height by 64.5 cm in width, as recorded in the Metropolitan Museum of Art catalog. Waldo’s handling of light and brushwork produces a crisp modeling of the sitter’s features, while the muted palette and fine detailing reflect the neoclassical formal conventions of the period.

The surface retains its original support without evidence of later transfer, and the painting remains in stable condition within the museum’s climate‑controlled display. Its composition emphasizes a dignified pose and direct gaze, characteristic of elite domestic portraiture of the 1830s.

Samuel Lovett Waldo painted Mrs. Edward Kellogg in 1831, executing the work in oil on wood panel. The portrait entered the collection of the Metropolitan Museum of Art and is now displayed in the American Wing. While the sources record the artist, date, medium, and present location, they do not mention any earlier owners, commission details, or subsequent transfers, so the known provenance begins with its creation and its current residence at the Met.

The portrait Mrs. Edward Kellogg by Samuel Lovett Waldo, created in 1831, is held in the collection of the Metropolitan Museum of Art. Classified within The American Wing, the work is executed in oil on wood panel. While specific accession numbers are not detailed in the provided records, the painting is documented as part of the museum's permanent holdings.

The artwork measures 84.8 cm in height and 64.5 cm in width. No specific exhibition history or prior loan records are cited in the available sources, though its classification within the American Wing suggests it is likely displayed as part of the museum's core 19th-century American art presentation.

Samuel Lovett Waldo's 1832 oil painting, Mrs. Edward Kellogg, presents a formal portrait of its namesake sitter. Executed on a wooden panel, this work is part of the American Wing's collection, offering insight into early 19th-century American portraiture. The painting captures a specific individual, reflecting the era's demand for personal likenesses and contributing to the visual record of the time.

Mrs. Edward Kellogg exemplifies the tradition of American portraiture during the early 19th century. Artists like Waldo often focused on capturing individual likenesses with a degree of naturalism and formal presentation. This work can be examined alongside other American portraits from the period within The Metropolitan Museum of Art's collection to understand the prevailing artistic conventions and stylistic developments of the era.