Artwork

Lydia Coit Terry (Mrs. Eliphalet Terry)

Lydia Coit Terry (Mrs. Eliphalet Terry), by Samuel Finley Breese Morse, oil, 1824
Lydia Coit Terry (Mrs. Eliphalet Terry), by Samuel Finley Breese Morse, oil, 1824

Lydia Coit Terry (Mrs. Eliphalet Terry) is an oil painting by the American Folk Art artist Samuel Finley Breese Morse. It dates from 1824 and is held in the collection of the National Gallery of Art. This oil on canvas painting, titled Lydia Coit Terry (Mrs.

About this work

Lydia Coit Terry sits in a chair, dressed in gown and hat and facing forward. Samuel F. B. Morse worked carefully to catch her likeness, the chief task of a portrait like this. Oil on canvas, 1824.

Subject & Meaning

The work belongs to the portrait genre, depicting a single named individual rather than a narrative or allegorical scene.

The painting is a portrait of Lydia Coit, who later became Mrs. Eliphalet Terry, as indicated by the work's title. The work belongs to the portrait genre, depicting a single named individual rather than a narrative or allegorical scene. No additional iconographic elements, attributes, or symbolic objects are documented in the available sources; the painting's meaning is conveyed through the straightforward representation of the sitter herself.

Technique & Style

The portrait of Lydia Coit Terry is executed in oil on canvas, a medium typical of Samuel F. B. Morse's early-nineteenth-century practice. The handling reflects the period's emphasis on lifelike representation, with smooth, blended brushwork in the modeling of the face and hands, while the drapery and background employ more assertive, visible strokes to articulate form and texture. Stylistically, the composition adheres to the conventions of American Federal portraiture, featuring a three-quarter pose against a neutral ground that directs attention to the sitter's refined features and attire. The figure is rendered with careful chiaroscuro, enhancing three-dimensionality and presence.

History & Provenance

The portrait of Lydia Coit Terry (Mrs. Eliphalet Terry) was painted by Samuel F. B. Morse in 1824. The work descended through the sitter's family: first to her daughter, Mrs. Charles Collins (née Mary Hall Terry), then to her granddaughter, Mrs. William Allen Butler (née Louise Terry Collins). It remained in the family until Dr. Charles Terry Butler of Chappaqua, New York, gave the painting to the National Gallery of Art, Washington, D.C., in 1981. The accession record is not specified in the cited sources.

Overview

This oil on canvas painting, titled Lydia Coit Terry (Mrs. Eliphalet Terry), was created around 1824 by Samuel F. B. Morse. It presents a formal portrait of Lydia Coit Terry, capturing her likeness with a focus on detailed representation. The artwork exemplifies the portraiture style prevalent in the early 19th century, where artists aimed for a faithful depiction of their sitters.

Mrs. Edward Hutchinson Robbins (Elizabeth Murray)
Mrs. Edward Hutchinson Robbins (Elizabeth Murray), Chester Harding

Artist & collection

Portrait of Samuel Finley Breese Morse

Artist

Samuel Finley Breese Morse

Samuel Finley Breese Morse (April 27, 1791 – April 2, 1872) was an American inventor and painter.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

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Frequently asked questions

Who painted Lydia Coit Terry (Mrs. Eliphalet Terry)?

Lydia Coit Terry (Mrs. Eliphalet Terry) was painted by Samuel Finley Breese Morse in c. 1824.

Where can I see Lydia Coit Terry (Mrs. Eliphalet Terry)?

Lydia Coit Terry (Mrs. Eliphalet Terry) is held by National Gallery of Art.

What movement is Lydia Coit Terry (Mrs. Eliphalet Terry)?

Lydia Coit Terry (Mrs. Eliphalet Terry) is associated with American Folk Art.

Can I buy a print of Lydia Coit Terry (Mrs. Eliphalet Terry)?

Museum-quality prints of Lydia Coit Terry (Mrs. Eliphalet Terry) are available made-to-order from Artifact World Gallery.