Who painted Bust of Christ?

Bust of Christ was painted by Raffaello Schiaminossi in 1606.

Where can I see Bust of Christ?

Bust of Christ is held by National Gallery of Art.

What movement is Bust of Christ?

Bust of Christ is associated with Baroque.

Can I buy a print of Bust of Christ?

Museum-quality prints of Bust of Christ are available made-to-order from Artifact World Gallery.

Artwork

Bust of Christ

Raffaello Schiaminossi , 1606

Bust of Christ is an ink print by the Baroque artist Raffaello Schiaminossi. It dates from 1606 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower center below image: IESUSCHRISTUSSALVATORMundi; lower right in image: S / RAF (in monogram)

About this work

Overview

Raffaello Schiaminossi’s 1606 print, titled Bust of Christ, is an etching with engraving executed on laid paper. The work presents a solemn, bearded figure whose head is encircled by a halo‑like shape. Below the image, the inscription “Iesus Christus Salvato” appears in bold lettering, identifying the subject as the saved Jesus Christ.

Subject & Meaning

The composition focuses on a close‑up portrait of Christ, emphasizing his serious expression and the contemplative gesture of clasped hands, one resting on his chest. The halo framing the head and the explicit textual dedication reinforce the devotional intent, inviting viewers to contemplate the salvific role of the figure.

Technique & Style

Schiaminossi employed a combination of etching and engraving, allowing for both delicate tonal shading and precise line work. The artist rendered the facial features, particularly the beard and hair, with subtle cross‑hatching to achieve a three‑dimensional effect, while the surrounding halo and robe are defined through finer engraved lines.

History & Provenance

Created in the early seventeenth century, the print reflects the period’s widespread use of copper plates for religious imagery. While specific ownership records are limited, the work is documented as part of Schiaminossi’s output of devotional prints, which were circulated among collectors and churches in Italy during the Counter‑Reformation.