Artwork

Le Colisée de Rome

Le Colisée de Rome, by Israël Silvestre, ink, 1650
Le Colisée de Rome, by Israël Silvestre, ink, 1650

Le Colisée de Rome is an ink print by the Baroque artist Israël Silvestre. It dates from 1650 and is held in the collection of the National Gallery of Art.

Inscription
Inscribed:In plate at bottom: Le Colisée de Rome. 12

About this work

Overview

Le Colisée de Rome is a 1650 etching on laid paper by French artist Israel Silvestre, depicting the Colosseum in Rome with meticulous architectural detail.

Subject & Meaning

The print focuses on the Colosseum, emphasizing its structural grandeur through detailed arches, tiers, and surrounding landscape elements like trees, a bridge, and figures of people.

Technique & Style

Silvestre employed etching to achieve sharp, crisp lines and a textured appearance, characteristic of the medium's capacity for fine detail and expressive depth.

History & Provenance

Created during Silvestre's prolific period, this etching was sold individually and as part of series, contributing to his 17th-century reputation as a topographical print specialist.

Context

Reflecting Silvestre's travels and training under his etcher uncle (associated with Jacques Callot), the work combines personal experience with technical lineage.

Artist & collection

Portrait of Israël Silvestre

Artist

Israël Silvestre

Israel Silvestre (13 August 1621 in Nancy – 11 October 1691 in Paris), called the Younger to distinguish him from his father, was a prolific French draftsman, etcher and print dealer who specialized in topographical views and perspectives…

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted Le Colisée de Rome?

Le Colisée de Rome was painted by Israël Silvestre in 1650.

Where can I see Le Colisée de Rome?

Le Colisée de Rome is held by National Gallery of Art.

What movement is Le Colisée de Rome?

Le Colisée de Rome is associated with Baroque.