伝託磨為遠筆 月光菩薩像 「金胎仏画帖」断簡|Gakkō Bosatsu, from “Album of Buddhist Deities from the Diamond World and Womb World Mandalas” (“Kontai butsugajō”)

Attributed to the artist Takuma Tametō, this depiction of Gakkō Bosatsu (Moonlight Bodhisattva) was created in Japan around 1150. The work originally functioned as a single page within a larger volume titled the "Album of Buddhist Deities from the Diamond World and Womb World Mandalas" (Kontai butsugajō). Executed using ink, mineral colors, and gold on paper, the fragment was later remounted as an independent hanging scroll.

The piece is currently held in the collection of the Metropolitan Museum of Art. While the specific circumstances of its original commission or the intermediate steps of its ownership history prior to entering the museum are not detailed in the available records, its classification as a religious painting from the mid-twelfth century establishes its historical context within Japanese Buddhist art.

The hanging scroll depicting Gakkō Bosatsu, attributed to Takuma Tametō and dated to 1150, is held in the collection of the Metropolitan Museum of Art in New York. Originating from Japan, this work is a fragment from the "Album of Buddhist Deities from the Diamond World and Womb World Mandalas" (Kontai butsugajō). The piece is classified as a religious painting executed in ink, color, and gold on paper.

While the specific accession number is not detailed in the provided records, the museum's catalog identifies the work as a significant example of 12th-century Japanese Buddhist art. No specific exhibition history or past display dates are recorded in the available source material.

Created around 1150 by the Japanese artist Takuma Tametō, this work depicts Gakkō Bosatsu (Moonlight Bodhisattva), a figure from the Womb World Mandala. Originally a page from the 'Album of Buddhist Deities from the Diamond World and Womb World Mandalas' (Kontai butsugajō), the image was later remounted as a hanging scroll. The composition features the bodhisattva floating against a background of gold leaf, seated upon a stylized cloud.

Gakkō Bosatsu holds a small moon disk in one hand, a defining iconographic attribute. The figure wears soft blue robes layered over a red undergarment, with a radiant golden halo framing the head. Executed in ink, color, and gold on paper, the work exemplifies the high Heian period style of the Takuma school, known for its precise line work and luminous use of gold.

This fragment represents a rare surviving element of a larger liturgical manuscript intended for esoteric Buddhist practice, illustrating the synthesis of Indian Buddhist iconography with distinct Japanese aesthetic sensibilities of the 12th century.