Portrait of Madame Charles Maus

Van Rysselberghe employed loose, expressive brushstrokes, often in tiny, colorful dots, contributing to a lively, rapid execution appearance. Notable is the use of impasto in the fireplace's red screen and the wall's textured, multi-colored background, emphasizing tactile quality.

Created in 1896, the painting is part of the collection at the Royal Museums of Fine Arts of Belgium.

This work reflects van Rysselberghe's engagement with contemporary artistic movements, likely influenced by Pointillism's emphasis on color dots and the expressive brushwork of Post-Impressionism, adapted to a traditional portrait setting.

While specific lasting impacts of 'Portrait of Madame Charles Maus' on subsequent art movements are not broadly highlighted, it remains a characteristic example of van Rysselberghe's style during the late 19th century, showcasing his ability to blend innovative techniques with portrait conventions.