Artwork

John Biglin in a Single Scull

John Biglin in a Single Scull, by Thomas Eakins, watercolor, 1873
John Biglin in a Single Scull, by Thomas Eakins, watercolor, 1873

John Biglin in a Single Scull is a watercolor work on paper by the Impressionist artist Thomas Eakins. It dates from 1873 and is held in the collection of the Metropolitan Museum of Art.

About this work

Subject & Meaning

By isolating the rower and his vessel, the piece emphasizes the individual's relationship with the water and the technical demands of the activity.

The work portrays John Biglin, a man, engaged in the act of rowing a boat. Created as a portrait in 1873, the imagery focuses on the solitary figure managing a single scull on the water. The composition captures the specific physical mechanics of the sport, presenting the subject in a realistic depiction of athletic labor rather than an allegorical scene.

By isolating the rower and his vessel, the piece emphasizes the individual's relationship with the water and the technical demands of the activity.

Technique & Style

Executed in 1873, the work is a watercolor on off-white wove paper, employing a translucent, fluid handling suited to the medium’s demands for rapid notation and tonal modulation.

The composition emphasizes the sitter’s taut posture and the rhythmic curve of the single scull through crisp, economical strokes that define musculature and boat geometry with minimal underdrawing visible. Subtle wet-into-wet passages model reflections on the water, while the paper’s tooth retains a lively grain that enlivens the surface.

No later conservation notes are cited, suggesting the sheet remains in stable condition, with colors retaining their original saturation.

History & Provenance

Thomas Eakins created the watercolor portrait John Biglin in a Single Scull in 1873. Executed on off-white wove paper, the work depicts a man engaged in rowing while seated in a boat. The piece entered the collection of the Metropolitan Museum of Art, where it is classified within the American Wing and assigned the accession number 24.108.

While the specific circumstances of its commission and the details of its ownership prior to museum acquisition are not outlined in the available records, the date of inception and current institutional location are firmly established.

Thomas Eakins's 1873 watercolor John Biglin in a Single Scull is held in the collection of the Metropolitan Museum of Art in New York. The work is assigned the accession number 24.108 and is classified within the museum's American Wing. While the source material confirms the artwork's current location and cataloging details, it does not provide a specific record of past exhibitions or a detailed provenance timeline.

Overview

Created circa 1873, this watercolor by Thomas Eakins portrays John Biglin navigating a single scull. Executed on off‑white wove paper, the work exemplifies Eakins’s realist approach, emphasizing direct observation of a contemporary subject from his native Philadelphia.

Context

During the 1870s, rowing was a popular pastime among Philadelphia’s middle‑class men, and Eakins himself participated in the sport. His personal experience on the water informed the accurate depiction of motion and light seen in the work.

The Biglin Brothers Racing
The Biglin Brothers Racing, Thomas Eakins

Artist & collection

Portrait of Thomas Eakins

Artist

Thomas Eakins

Thomas Cowperthwait Eakins (; July 25, 1844 – June 25, 1916) was an American realist painter, photographer, sculptor, and fine arts educator.

Frequently asked questions

Who painted John Biglin in a Single Scull?

John Biglin in a Single Scull was painted by Thomas Eakins in ca. 1873.

Where can I see John Biglin in a Single Scull?

John Biglin in a Single Scull is held by Metropolitan Museum of Art.

What movement is John Biglin in a Single Scull?

John Biglin in a Single Scull is associated with Impressionism.