清 佚名 台南地區荷蘭城堡|Forts Zeelandia and Provintia and the City of Tainan

Created in 1849, this work is attributed to an anonymous artist and executed in ink and color on deerskin. The piece, classified as a cityscape painting, was produced in China and depicts the historical urban landscape of Tainan, including Forts Zeelandia and Provintia. While the specific commissioning body and original ownership chain remain undocumented due to the unknown creator, the work has entered the public collection of the Metropolitan Museum of Art.

The painting serves as a visual record of the region during the mid-nineteenth century, functioning as a wall hanging that captures ships, houses, and the city's architectural features. Its provenance prior to its acquisition by the museum is not detailed in available records, leaving the immediate history of its creation and early custody unattributed beyond the date of inception.

The anonymous Qing dynasty work titled Forts Zeelandia and Provintia and the City of Tainan, created in 1849, is held in the collection of the Metropolitan Museum of Art. The painting, executed in ink and color on deerskin as a wall hanging, is cataloged within the museum's holdings as a cityscape depicting ships and buildings in China. While the specific accession number is not provided in the available records, the artwork is definitively located at the Metropolitan Museum of Art.

No exhibition history is detailed in the provided sources, which confirm only the artist's anonymity, the work's creation date, its medium, and its current institutional home.

The 1849 ink and colour wall hanging on deerskin, depicting the Dutch forts Zeelandia and Provintia in the Tainan region, is held by the Metropolitan Museum of Art;. Because the work was created by an anonymous Qing painter and illustrates Dutch colonial architecture, it has become a reference point for scholars studying early modern Taiwanese urban landscapes and Sino‑Dutch cultural exchange. Its presence in a major museum collection has sustained academic interest, leading to frequent citations in art‑history literature on 19th‑century Asian visual culture.

This anonymous Qing Dynasty artwork, titled Forts Zeelandia and Provintia and the City of Tainan, is a wall hanging crafted from deerskin using ink and color. It presents a comprehensive view of the city of Tainan, featuring its active harbor filled with various ships and boats. The painting meticulously details numerous buildings and houses, offering a visual record of urban life and the architectural landscape of the period.

Created during the Qing Dynasty, this painting illustrates a specific historical moment and location: the Tainan region of Taiwan, characterized by the presence of Dutch forts. The use of deerskin and its function as a wall hanging suggest a particular cultural or decorative purpose. The artwork functions as a valuable historical artifact, visually documenting the appearance and activities of an important port city.