Who painted Clementina Sobiesky?

Clementina Sobiesky was painted by Unknown in 1701.

Where can I see Clementina Sobiesky?

Clementina Sobiesky is held by Museo del Prado.

What movement is Clementina Sobiesky?

Clementina Sobiesky is associated with Rococo painting.

Artwork

Clementina Sobiesky

Unknown , 1701

Clementina Sobiesky is an oil painting by the Rococo painting artist Unknown. It dates from 1701 and is held in the collection of the Museo del Prado. The work is an oil painting portraying a seated woman dressed in elaborate attire.

About this work

Subject & Meaning

The painting portrays Clementina Sobiesky, a woman shown wearing a crown and holding a gemstone. These objects function as icons of royalty and wealth, visually signalling the subject’s high social standing. By emphasizing regal adornments, the work underscores her noble identity and the prestige associated with her lineage or marital alliances.

Technique & Style

Executed in 1701, this work is an oil painting on canvas. The portrait measures 98 cm in height and 72 cm in width. Stylistically, the composition focuses on the depiction of royal regalia, specifically highlighting a crown and gemstones associated with the sitter. The piece is currently held in the collection of the Museo del Prado.

History & Provenance

Created in 1701, this oil painting on canvas depicts Clementina Sobiesky adorned with a crown and gemstones. The work entered the Spanish royal collection through Elisabeth Farnese, subsequently passing to Charles III of Spain and later Ferdinand VII of Spain. It is currently held in the collection of the Museo del Prado in Madrid, where it remains part of the institution's holdings.

Overview

The work is an oil painting portraying a seated woman dressed in elaborate attire. She holds a bouquet of flowers, while a red crown rests on a nearby table. The composition emphasizes her refined clothing, including a blue cloak, a pink gown trimmed in gold, and a white fur shawl, set against a softly illuminated background.

Context

The work reflects the conventions of portraiture in which clothing and accessories function as indicators of rank and wealth. The stylized hair and the placement of the crown on a table rather than on the sitter’s head follow a compositional tradition that balances symbolic objects within the pictorial space.