Madonna and Child with Saints Roche and Mary Magdalene

The painting, dated 1504, is a copy executed after Jacopo Palma il Vecchio. It is held in the Bavarian State Painting Collections and housed at the Alte Pinakothek in Munich. No further details regarding its commission, original ownership chain, or intermediate provenance are recorded in the available sources.

The painting is held in the collection of the Bavarian State Painting Collections and is currently located at the Alte Pinakothek. While the work is dated to 1504, it is identified as a copy after an original by Jacopo Palma il Vecchio. The provided sources do not contain specific inventory numbers or details regarding the work's exhibition history.

The attribution to Jacopo Palma il Vecchio sparked scholarly discussion regarding the work's place within Venetian Renaissance painting traditions. Research situates this composition within the broader context of early 16th-century devotional imagery, particularly examining Palma's influence on religious imagery in Venice and its echoes in contemporary workshops. The painting's presence in the Bavarian State Painting Collections at the Alte Pinakothek since its acquisition has made it a subject of ongoing study on provenance and workshop practices.

Its depiction of Saint Roch and Saint Mary Magdalene alongside the Virgin and Child reflects evolving devotional emphases in post-plague Italy.

The work presents a modest interior scene illuminated by a single, focused light source. Central to the composition is a woman in a red garment cradling an infant, flanked by a bearded figure leaning on a staff and another woman in red with an uplifted hand. A faint landscape can be discerned through a window, its trees and structures rendered in muted tones.