Artwork

Page from Tales of a Parrot (Tuti-nama): text page

Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560
Page from Tales of a Parrot (Tuti-nama): text page, unspecified, 1560

Page from Tales of a Parrot (Tuti-nama): text page is an unspecified painting. It dates from 1560 and is held in the collection of the Cleveland Museum of Art. The object is a single leaf from the medieval manuscript known as Tuti‑nama (Tales of a Parrot).

About this work

History & Provenance

The text page from the Tales of a Parrot (Tuti-nama) is dated to circa 1560, aligning with the manuscript’s creation during the Mughal Empire.

The text page from the Tales of a Parrot (Tuti-nama) is dated to circa 1560, aligning with the manuscript’s creation during the Mughal Empire. The Cleveland Museum of Art holds the work, where it is cataloged as part of the museum’s collection with the accession number 1962.279.65.b. The page’s provenance prior to its acquisition by the Cleveland Museum is not documented in the available sources, which also do not specify the original commissioning patron or the artist’s identity.

The text page from the Tales of a Parrot (Tuti-nama), created in 1560, is held in the collection of the Cleveland Museum of Art in Cleveland. The work is identified by the accession number 1962.279.65.b. It was produced within the Mughal Empire. The provided sources do not list any specific exhibition history for this object.

Overview

The object is a single leaf from the medieval manuscript known as Tuti‑nama (Tales of a Parrot). The page consists of handwritten text rendered in black ink on a yellowed, slightly damaged paper support. Decorative borders in red and blue frame the text, while occasional words are highlighted in blue, creating a subtle visual hierarchy within the composition.

Subject & Meaning

The manuscript presents a collection of moral and didactic stories, traditionally attributed to a parrot that conveys wisdom to a ruler. This particular leaf contains a segment of one such tale, though the specific narrative is not identifiable without transliteration. The highlighted passages likely indicate key moral points or verses intended for emphasis during recitation.

Technique & Style

The calligraphy is executed in an elegant, cursive script characteristic of Persian or Arabic literary works of the period, featuring elongated strokes and ornamental flourishes. The use of contrasting inks, black for the main body, blue for emphasis, and red and blue for marginal bands, demonstrates a practiced approach to visual organization within manuscript culture.

Context

Manuscript production in the medieval Islamic world combined literary content with artistic decoration, serving both educational and aesthetic purposes. The inclusion of colored borders and selective ink highlights reflects a broader trend of enhancing readability and visual appeal in texts intended for elite audiences.

Legacy

Pages such as this exemplify the intersection of literary tradition and visual art in Persian manuscript culture. They inform contemporary scholarship about historical writing practices, material conditions of book production, and the transmission of moral narratives across centuries.

Page from Tales of a Parrot (Tuti-nama): text page
Page from Tales of a Parrot (Tuti-nama): text page

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see Page from Tales of a Parrot (Tuti-nama): text page?

Page from Tales of a Parrot (Tuti-nama): text page is held by Cleveland Museum of Art.

What movement is Page from Tales of a Parrot (Tuti-nama): text page?

Page from Tales of a Parrot (Tuti-nama): text page is associated with Mughal Painting.