Artwork

Portrait of a Man with a Hairlip

Portrait of a Man with a Hairlip, unspecified, 1850
Portrait of a Man with a Hairlip, unspecified, 1850

Portrait of a Man with a Hairlip is an unspecified painting. It dates from 1850 and is held in the collection of the Cleveland Museum of Art. The work is a portrait depicting a seated man whose facial features include a cleft lip.

About this work

Technique & Style

The support is ivory, typical of the genre, and the painting retains good condition with minimal surface wear.

The work is a portrait miniature painted on ivory, depicting a man with a cleft lip. Executed in watercolor with fine brushwork characteristic of early 19th-century American portrait miniatures, it showcases delicate handling and a restrained palette emphasizing facial detail and expression. The support is ivory, typical of the genre, and the painting retains good condition with minimal surface wear.

History & Provenance

The work, identified as a portrait miniature by Anson Dickinson, is held in the collection of the Cleveland Museum of Art. Its accession number is 1940.1220. The piece is classified as a miniature portrait depicting a man with a cleft lip.

No specific exhibition history is documented in the provided sources for this object.

Context

The attribution of Portrait of a Man with a Hairlip to Anson Dickinson reflects ongoing scholarly debate regarding early American portraiture, particularly miniature painting traditions. The work's classification as a miniature within the broader context of 19th-century American art highlights evolving techniques in miniature portraiture during the Federal period. Its presence in the Cleveland Museum of Art's collection underscores its significance in institutional narratives of early American artistic production, though the artist's hand remains subject to scholarly scrutiny within art historical discourse.

Overview

The work is a portrait depicting a seated man whose facial features include a cleft lip. He wears a dark jacket adorned with gold buttons, a white shirt, and a cravat, while his hair is cut short and curled. The background is rendered in a muted, soft hue, creating a restrained atmosphere.

Subject & Meaning

The sitter’s expression is neutral, his gaze directed toward the viewer, suggesting a contemplative presence. Although the cleft lip is visible, it is not emphasized; instead the portrait conveys a sense of quiet dignity and personal introspection.

Portrait of a Man
Portrait of a Man, Nathaniel Rogers

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.