Artwork
Saint Maurice

Saint Maurice is an oil painting by the Gothic painting artist Unknown. It dates from 1500 and is held in the collection of the Kunsthistorisches Museum. The work is an oil painting that presents a portrait of a man shown from the shoulders up, turned toward the left.
About this work
Technique & Style
Created around 1500, this religious painting depicts Saint Maurice using oil paint applied to an oak panel support.
Created around 1500, this religious painting depicts Saint Maurice using oil paint applied to an oak panel support. The work measures 36.8 cm in height and 26.5 cm in width. Attributed to a South German artist, the piece utilizes the durable combination of oil medium and wood panel typical of the period's Northern European production. The painting is currently held in the collection of the Kunsthistorisches Museum.
History & Provenance
The painting dates to 1500, executed in oil on an oak panel measuring 36.8 by 26.5 cm. It is attributed to a South German artist and depicts Saint Maurice within the religious genre.
The work is held in the Kunsthistorisches Museum, which is listed as both its collection and its current location. Beyond this institutional holding, the sources do not provide details on a commission, prior ownership chain, or earlier provenance.
The painting Saint Maurice is held in the collection of the Kunsthistorisches Museum. Created around 1500, the work is executed in oil paint on an oak panel and measures 36.8 cm in height by 26.5 cm in width. While the piece is attributed to a South German master, specific inventory numbers and details regarding its exhibition history are not provided in the available records.
Overview
The work is an oil painting that presents a portrait of a man shown from the shoulders up, turned toward the left. He wears a dark hat topped with a gold emblem, a white collar and a decorative brooch. His dark hair is visible beneath the hat, and his beard is neatly trimmed. The figure is set against a black background, with a gold circular disc positioned behind his head.
Subject & Meaning
The attire and the gold accents suggest the sitter may represent a saint or another religious figure, as such iconography was commonly used to denote sanctity in portraiture. The formal clothing and the presence of a gold emblem reinforce the notion of a dignified, possibly ecclesiastical, identity.
Artist & collection


















