Artwork

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala

The  Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala, by Unknown, unspecified, 1600
The  Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala, by Unknown, unspecified, 1600

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala is an unspecified painting by the Mughal Painting artist Unknown. It dates from 1600 and is held in the collection of the Cleveland Museum of Art.

Accession no.
2018.123
Credit line
Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

About this work

Overview

The work titled The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala portrays a quiet departure at daybreak. A male figure steps lightly away from a sleeping woman who lies on a richly patterned bed, while a small dog watches from a corner. The sky above shifts from deep night to a pale blue, signalling the arrival of dawn.

Subject & Meaning

The scene captures the moment after an intimate night, when the lover, turning his head for one last glance, exits the chamber while his partner remains unaware, still asleep. The composition conveys a bittersweet mood, suggesting longing and melancholy as the night gives way to morning, echoing the emotional tone of a plaintive song.

Technique & Style

Rendered in a palette that juxtaposes a dark background with a luminous blue sky, the painting employs delicate brushwork to delineate the figures and the intricate textile design of the bed. The contrast between shadow and emerging light heightens the sense of transition, while the inclusion of a small dog adds a subtle narrative detail.

Context

This piece belongs to a Ragamala series, a visual tradition that links musical modes, poetry, and specific moods or times of day. Each image corresponds to a particular raga; here, the tranquil, sorrowful atmosphere aligns with the Lalit ragini, a melodic expression associated with the early morning hours in Indian classical music.

The  Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala
The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala, Unknown

Artist & collection

Artist

Unknown

entity whose identity is not known

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Who painted The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala?

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala was painted by Unknown in 1600.

Where can I see The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala?

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala is held by Cleveland Museum of Art.

What movement is The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala?

The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala is associated with Mughal Painting.