Portrait of Johanna Henriette Engelen, second Wife of Daniel Francis Schas

The portrait was painted by Alexandre Jean Dubois-Drahonet in 1826, as indicated by the work’s inscription and the artist’s dated practice in the 1820s. The canvas depicts Johanna Henriette Engelen, who is recorded as the second wife of Daniel Francis Schas in contemporary Dutch records.

The painting entered the collection of the Rijksmuseum in Amsterdam, where it has been held since at least the mid-20th century. Museum records list Dubois-Drahonet as the creator and Engelen as the subject, with the work catalogued under the museum’s portrait holdings.

The painting is held in the collection of the Rijksmuseum. The work, created by Alexandre Jean Dubois-Drahonet in 1826, is cataloged as a portrait depicting Johanna Henriette Engelen. While the source confirms the museum's possession of the canvas and oil work, no specific inventory or accession number is provided in the available records. The provided sources do not contain information regarding any exhibition history for this piece.

The painting has been part of the Rijksmuseum's collection since its acquisition, where it is recognized as a representative example of early 19th-century Dutch portraiture. Its scholarly attention stems from its rarity as a documented portrait of a merchant's second wife, reflecting social dynamics of the period. The work continues to be studied in exhibitions on Dutch Golden Age art, though it remains less frequently discussed in broader art historical narratives.

Portrait of Johanna Henriette Engelen, second Wife of Daniel Francis Schas is an oil painting completed in 1826 by French portrait painter Alexandre-Jean Dubois-Drahonet. The work is a representation of Johanna Henriette Engelen and is part of the Rijksmuseum's collection.

As a product of the early 19th century, the portrait reflects the continued influence of traditional European portraiture techniques, such as chiaroscuro, during this period.