Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850)

Anne-Louis Girodet executed this oil portrait of Colette-Désirée-Thérèse Godefroy in 1823. Although the sitter initially requested a full-length composition, the artist convinced her that a half-length format would be more suitable, resulting in her depiction wearing a chosen velour dress. Created shortly before Girodet's death in 1824, the work was exhibited at the Paris Salon of 1824.

An autograph replica, likely produced in 1824 at the family's request, is held at the Musée Girodet in Montargis. The primary version currently resides in the collection of the Metropolitan Museum of Art in New York.

The portrait of Madame Jacques‑Louis‑Étienne Reiset, painted by Anne‑Louis Girodet in 1823, is housed in the Metropolitan Museum of Art in New York. The work, an oil on canvas measuring 60.3 × 49.5 cm, entered the museum's collection through a donation that is not documented in the consulted sources, and no accession number is provided. It was first exhibited at the Salon of 1824 in Paris, where it attracted contemporary notice.

Painted in 1823, the portrait of Colette‑Désirée‑Thérèse Godefroy was displayed at the Salon of 1824 and later entered the Metropolitan Museum of Art, marking one of Girodet's last portrait commissions before his death in 1824. Art historians note its Neoclassical character, influenced by Girodet's mentor Jacques‑Louis David and his fascination with Florentine Renaissance art. Originally the sitter requested a full‑length pose, but Girodet convinced her to adopt a half‑length format, and she chose a velvet dress.

A near‑identical autograph replica was produced for the sitter's family and now resides in the Girodet Museum in Montargis. Scholars view the work as emblematic of early 19th‑century French portraiture and of the sitter's prominent genealogical connections within the art world.

The portrait was shown at the 1824 Salon, marking one of Girodet's last major portrait commissions before his death in 1824. It entered the collection of the Metropolitan Museum of Art, ensuring ongoing public access, and a replica was produced for the sitter's family, now held at the Musée Girodet in Montargis. Contemporary assessments note its Neoclassical style, influenced by Jacques‑Louis David, and its engagement with Florentine Renaissance aesthetics, contributing to the development of early nineteenth‑century French portraiture.

Anne-Louis Girodet de Roussy-Trioson painted this oil portrait of Madame Jacques-Louis-Étienne Reizet in 1823. The sitter, Colette-Désirée-Thérèse Godefroy, was the wife of a French government official during the Restoration period. This work, now housed at the Metropolitan Museum of Art, captures her likeness shortly before the artist's death. It represents a significant example of portraiture from the early 19th century, showcasing the artist's mature style.