Reynard the Fox: Further False Testimony from Reynard
1662
From the collection of Cleveland Museum of Art
1662
From the collection of Cleveland Museum of Art
Dominant colour
Reynard the Fox: Further False Testimony from Reynard is a 1662 by Allart van Everdingen, a Baroque work, held at Cleveland Museum of Art.
In this painting, a fox stands on its hind legs, addressing a group of animals gathered around it. The fox's front paws are raised as if in mid-speech, and its mouth is open. The other animals, including a lion, a monkey, and a dog, appear to be listening intently. The scene is set in a wooded area, with trees and foliage visible in the background. The fox's posture and facial expression suggest that it is trying to persuade or deceive the other animals. The use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume and depth, adds to the dramatic effect of the scene. This painting is an example of the Baroque style, characterized by its use of dramatic lighting and intense emotions.
