Who painted The End (La Fin de Tout)?

The End (La Fin de Tout) was painted by Albert Besnard in 1883.

Where can I see The End (La Fin de Tout)?

The End (La Fin de Tout) is held by National Gallery of Art.

What movement is The End (La Fin de Tout)?

The End (La Fin de Tout) is associated with Impressionism.

Can I buy a print of The End (La Fin de Tout)?

Museum-quality prints of The End (La Fin de Tout) are available made-to-order from Artifact World Gallery.

Artwork

The End (La Fin de Tout)

Albert Besnard , 1883

The End (La Fin de Tout) is a chalk print by the Impressionist artist Albert Besnard. It dates from 1883 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower right in graphite: ABesnard; lower left verso stamped: AB (Lugt 67a); lower left in graphite: Tirage . l'artiste epreuve l'essai. retouche la sanguine; by later hand, lL //in graphite: G 14. i/v; by later hand, lC //in graphite: T; by later hand, lR //in graphite: 11b ; by later hand, aTv//in graphite: La fin de tout 1883
Markings: Marked:[AB] (Albert Besnard's stamp) verso, purple stamped ink, (Lugt 67a).

About this work

Overview

Albert Besnard’s print, The End (La Fin de Tout), dates from 1883 and is executed as an etching on laid paper with supplemental red chalk. The composition presents a dimly lit interior where a figure lies beneath a sheet on a bed while another figure, illuminated by a candle, stands nearby. The overall atmosphere is somber, emphasizing shadows and a restrained palette.

Subject & Meaning

The scene captures a moment of quiet melancholy: the reclining figure appears vulnerable, perhaps ill or exhausted, while the standing figure’s candlelight casts a weary expression on both faces. The confined, darkened space and the limited illumination suggest themes of finality, isolation, or the closing of a personal chapter, inviting contemplation of mortality or loss.

Technique & Style

Besnard employed traditional etching methods, incising lines into a metal plate to build tonal variation, then enriched the image with hand-applied red chalk. The juxtaposition of fine linear work and the chalk’s bold hue creates depth and contrast, while the textured, shadowy walls enhance the gritty, almost desperate ambience of the composition.

History & Provenance

Created in 1883, The End is among Besnard’s early print experiments, reflecting his interest in combining printmaking with drawing. The work has circulated through private collections and museum holdings, though specific ownership records remain limited. Its survival on laid paper demonstrates the durability of Besnard’s mixed-media approach.