Who painted Portrait of Reinier Vinkeles, Draftsman and Engraver?

Portrait of Reinier Vinkeles, Draftsman and Engraver was painted by Charles Howard Hodges in 1808-01-01.

Where can I see Portrait of Reinier Vinkeles, Draftsman and Engraver?

Portrait of Reinier Vinkeles, Draftsman and Engraver is held by Rijksmuseum.

What movement is Portrait of Reinier Vinkeles, Draftsman and Engraver?

Portrait of Reinier Vinkeles, Draftsman and Engraver is associated with Neoclassicism.

Can I buy a print of Portrait of Reinier Vinkeles, Draftsman and Engraver?

Museum-quality prints of Portrait of Reinier Vinkeles, Draftsman and Engraver are available made-to-order from Artifact World Gallery.

Artwork

Portrait of Reinier Vinkeles, Draftsman and Engraver

Charles Howard Hodges , 1808

Portrait of Reinier Vinkeles, Draftsman and Engraver is an oil painting by the Neoclassicist artist Charles Howard Hodges. It dates from 1808 and is held in the collection of the Rijksmuseum.

About this work

Technique & Style

The work is an oil painting executed on canvas. It portrays the Dutch draftsman and engraver Reinier Vinkeles, rendered in a realistic portrait style typical of early 19th‑century Dutch art. The composition emphasizes Vinkeles’s likeness with careful attention to facial detail and attire, reflecting the formal conventions of portraiture of the period.

History & Provenance

The portrait of Reinier Vinkeles was created by Charles Howard Hodges in 1808, executed in oil paint on canvas. According to the available records, the work entered the collection of the Rijksmuseum, where it is currently held. No further details regarding an intermediate ownership chain, specific commissioner, or circumstances of creation are documented in the available sources.

Overview

Charles Howard Hodges, an English painter who worked in the Netherlands during the turn of the 19th century, executed an oil portrait of the Dutch draftsman and engraver Reinier Vinkeles in 1808. The painting is part of the Rijksmuseum’s collection and exemplifies the neoclassical aesthetic that characterized Hodges’s mature work.

Subject & Meaning

The sitter, Reinier Vinkeles, is depicted with a serious expression, his gaze turned slightly to the right. He wears dark clothing complemented by a white cravat, and holds a pencil in his right hand, suggesting his professional identity as a draftsman and the contemplative nature of his craft.

Context

At the time of its creation, Vinkeles was a prominent figure in Dutch printmaking, known for his detailed engravings. Hodges’s portrait situates him within the broader cultural exchange between England and the Netherlands, highlighting the cross‑national artistic circles that flourished during the Napoleonic era.