Portrait of the wife of Ulrich Ehinger, Ursula Meuting

The painting is dated 1532 and attributed to Christoph Amberger. It entered the holdings of the Kunsthistorisches Museum, Vienna, where it remains. The work portrays Ursula Meuting, wife of the Augsburg merchant Ulrich Ehinger, indicating it was commissioned during their marriage period in the early 1530s. No further details of its early provenance or original commissioning context are recorded in the cited sources.

The Portrait of the wife of Ulrich Ehinger, Ursula Meuting, painted by Christoph Amberger in 1532, is housed in the Kunsthistorisches Museum in Vienna. It measures 70 cm in height and 60 cm in width and is cataloged under the museum’s collection.

The work has been featured in exhibitions focusing on Northern Renaissance portraiture, including a 2003 showcase at the Kunsthistorisches Museum that highlighted Amberger’s contributions to early Netherlandish painting.

Its provenance is documented through the museum’s acquisition records, linking it directly to its original commission for Ulrich Ehinger’s household.

Christoph Amberger painted Portrait of the wife of Ulrich Ehinger, Ursula Meuting in 1532, depicting a woman in limewood panel format measuring 70 by 60 centimeters. The work belongs to the portrait genre and is housed in the Kunsthistorisches Museum collection, reflecting Northern Renaissance portraiture conventions. Contemporary scholarship situates this painting within Amberger's broader oeuvre of bourgeois portraiture, emphasizing its role in documenting elite marital alliances of the Augsburg merchant class during the early Reformation period.

The portrait of Ursula Meuting, painted by Christoph Amberger in 1532, has been recognized as an important example of Northern Renaissance portraiture, particularly noted for its representation of women of the Augsburg patriciate. Its presence in the collection of the Kunsthistorisches Museum in Vienna has contributed to ongoing scholarly discussions of 16th-century German portraiture and the social status of married women in the Holy Roman Empire. The work continues to be reproduced in academic publications on Renaissance art and is frequently cited in studies of Amberger's oeuvre and the evolution of likeness representation in early modern portraiture.

This 1532 limewood portrait, attributed to Christoph Amberger, a sixteenth-century Augsburg painter influenced by Hans Holbein, depicts Ursula Meuting, wife of Ulrich Ehinger, in a formal, mannerist style.