Artwork
Le trois légitimistes ... revenant de Claremont
Le trois légitimistes ... revenant de Claremont is an ink print by the Impressionist artist Honoré Daumier. It dates from 1851 and is held in the collection of the National Gallery of Art.
About this work
Overview
Honoré Daumier’s lithograph presents three elegantly attired gentlemen navigating a crossroads marked by signs pointing to France and England. Their exaggerated physiognomy and whimsical expressions convey a satirical tone, as the leading figure appears to steer the others toward the French direction, while the backdrop hints at a broader political debate.
Subject & Meaning
The three figures represent adherents of the Legitimist cause, a faction advocating the restoration of the senior Bourbon line to the French throne after the upheavals of the early nineteenth century. Daumier’s composition lampoons their indecision and pretensions, using the juxtaposition of national signposts to underscore the contested loyalties and the movement’s uncertain future.
Technique & Style
Daumier’s characteristic line work, sharp, fluid strokes combined with bold contrasts, enhances the caricatured features and the theatricality of the scene.
Executed in lithography, the work relies on a greasy drawing transferred onto a stone surface, then printed on paper. Daumier’s characteristic line work, sharp, fluid strokes combined with bold contrasts, enhances the caricatured features and the theatricality of the scene. The medium allows for rapid reproduction, aligning with his practice of producing politically charged prints for a wide audience.
Context
Created amid the turbulent years following the 1830 July Revolution, the image reflects the clash between the newly established July Monarchy and the Legitimist opposition. The choice of France and England as directional markers alludes to contemporary diplomatic considerations, as many Legitimists looked to foreign powers for support in their bid to reclaim the throne.
Legacy
Daumier’s lithograph exemplifies his broader engagement with French political life, using humor to critique elite aspirations. Though a modest print in scale, it contributes to the visual record of nineteenth‑century partisan debate and illustrates the potency of lithography as a vehicle for social commentary.
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Artist & collection
Artist
Honoré-Victorin Daumier (French: ; 26 February 1808 – 10 or 11 February 1879) was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the…
Air connu: Oh! Richard, Oh! Mon roi ...
Comment, ils emportent mon argent ...
Réapparition de la jeunesse dorée en 1851
Les Fricoteurs politiques
M. Vautour: Je ne saurais trop ...
Toujours la heunesse-flourens
Des gens dont le soleil réjouit peu la vue
Et ... Voila ...Les voyageurs qui nous passent devant le nez!