July was painted by Cornelis Dusart in 1690.

Where can I see July?

July is held by National Gallery of Art.

What movement is July?

July is associated with Baroque.

Can I buy a print of July?

Museum-quality prints of July are available made-to-order from Artifact World Gallery.

Artwork

July

Cornelis Dusart , 1690

July is an ink print by the Baroque artist Cornelis Dusart. It dates from 1690 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:lower left below image: Corn. Dusart pinxit fec. et inv.; lower right below image: J. Gole exc: Amstelodami cum Privilegio; by Boerner, lower verso in brown ink: J. A. Boerner B. No. 2b / Juillet [not deciphered] rare

About this work

Overview

July is a mezzotint print executed on laid paper in 1690 by the Dutch artist Cornelis Dusart. The work measures a modest size typical of the period and presents a bustling, disorderly tableau of rural figures caught in a moment of conflict. Its dramatic composition and stark tonal contrasts convey a sense of immediacy and movement.

Subject & Meaning

The scene depicts a chaotic encounter in a countryside setting: a man is airborne, grappling with a rearing horse, while other figures lie scattered on the ground, some injured, others observing. Scattered farming implements and a cart wheel suggest a working environment, emphasizing the precariousness of peasant life and the sudden hazards that could arise in daily labor.

Technique & Style

Dusart employs the mezzotint technique, exploiting deep shadows and luminous highlights to model forms and heighten drama. The use of bold chiaroscuro creates a swirling, turbulent atmosphere, a visual strategy common in late‑17th‑century Dutch prints to attract the viewer’s eye. The texture of the laid paper adds a subtle grain that enhances the print’s tactile quality.

History & Provenance

Cornelis Dusart, a native of Haarlem, trained under Adriaen van Ostade and joined the Haarlem Guild of St. Luke in 1679. He remained active in the city until his death in 1704. The print was likely produced for the local market, reflecting the demand for genre scenes that illustrated everyday rural experiences.

Context

July belongs to a broader tradition of Dutch genre art that focused on the lives of peasants and laborers. While Dusart’s subject matter aligns with his master Ostade’s, his use of mezzotint distinguishes the work from contemporary oil paintings, offering a reproducible medium that could reach a wider audience during the Baroque period’s emphasis on vivid, dynamic storytelling.