Who painted Moorse roeiers bij Constantinopel?

Moorse roeiers bij Constantinopel was painted by Félix Ziem in 1900-01-01.

Where can I see Moorse roeiers bij Constantinopel?

Moorse roeiers bij Constantinopel is held by Rijksmuseum.

What movement is Moorse roeiers bij Constantinopel?

Moorse roeiers bij Constantinopel is associated with Impressionism.

Artwork

Moorse roeiers bij Constantinopel

Félix Ziem , 1900

Moorse roeiers bij Constantinopel is an oil painting by the Impressionist artist Félix Ziem. It dates from 1900 and is held in the collection of the Rijksmuseum.

About this work

Technique & Style

Moorse roeiers bij Constantinopel is an oil painting on canvas, measuring 67 cm in height and 138 cm in width.

Moorse roeiers bij Constantinopel is an oil painting on canvas, measuring 67 cm in height and 138 cm in width. The work belongs to the marine genre, portraying boats near Constantinople. The support is a plain canvas ground, and the medium is oil paint applied in a typical early‑20th‑century painterly manner; however, the sources do not specify details of brush handling or the painting’s current condition. The painting is dated 1900 and is part of the Rijksmuseum’s collection.

History & Provenance

The painting Moorse roeiers bij Constantinopel by Félix Ziem was created in the year 1900. Executed in oil paint on canvas, the work belongs to the marine art genre and depicts a boat scene. Regarding its ownership history, the artwork is currently owned by Maria Catharina barones van Pallandt. It is part of the collection held by the Rijksmuseum.

Moorse roeiers bij Constantinopel is held in the collection of the Rijksmuseum. The painting was owned by Maria Catharina barones van Pallandt before entering the museum's holdings. It is catalogued as an oil on canvas measuring 67 cm in height and 138 cm in width.

No exhibition history is documented in the available sources.

Overview

Completed in 1900, this oil painting by French artist Félix Ziem portrays a slender vessel crowded with rowers on a calm waterway. The composition centers on a woman who gestures from the deck, while a boatman at the stern guides the craft with a long pole. In the background, a mist‑shrouded skyline of domes and towers suggests a distant city.

Subject & Meaning

The work captures a moment of everyday activity on the Bosphorus, emphasizing the interaction between human labor and the surrounding landscape. The modest attire of the figures and the serene atmosphere convey a sense of routine travel rather than exotic spectacle, aligning the scene with Ziem’s broader interest in Oriental subjects rendered as ordinary life.