An Old Man Seated at a Table, His Head Resting on His Right Hand (recto); The Healing of Tobit (verso)
1650
From the collection of Cleveland Museum of Art
1650
From the collection of Cleveland Museum of Art
An Old Man Seated at a Table, His Head Resting on His Right Hand (recto); The Healing of Tobit (verso) is a 1650 by Ferdinand Bol, a Baroque work, held at Cleveland Museum of Art.
You see an old man sitting alone at a table, his head propped on his hand, lost in thought. The room is dim, with light streaming in from a window behind him. This drawing was likely a study—Ferdinand Bol made many like it. He worked in Rembrandt’s studio, and you can spot the teacher’s influence in the way the light carves the man’s face from the shadows. The other side of the sheet shows a biblical scene, proving how quickly artists switched between ideas. To see more of this quiet, shadowy style, look up chiaroscuro.
Ferdinand Bol was one of the most prominent pupils and followers of Rembrandt van Rijn, for whom drawing played a central role in his workshop practice and teaching. This image of a man within a darkened interior before a window—perhaps a scholar or philosopher—is similar to compositions of saints as well as portraits that Rembrandt made in the 1630s and 1640s. Bol was quite interested in the theme, portraying similar figures in at least two paintings, ten drawings, and four etchings. Like Rembrandt, he employed an expressive but controlled use of ink wash, emphasizing the psychological…
Ferdinand Bol’s subtle and controlled use of ink wash reveals a large trunk on the floor, while retaining bright highlights on the figure, book, and globe on the windowsill.
Read the full account in the museum source.
Ferdinand Bol (24 June 1616 - 24 August 1680) was a Dutch painter, etcher and draftsman.
See the richer artist page