Folio 348 from a Gandavyuha-sutra (Scripture of the Supreme Array): Bodhisattva Manjushri with two forms of Avalokiteshvara (recto); Bodhisattva Samantabhadra purifies the path to enlightenment, with Manjushri (verso)

The artwork is characterized by its small, colorful scenes set against a predominantly dark background. Figures are rendered with calm countenances, adorned in red robes, and distinguished by gold halos. While the paint shows signs of wear and fading, the original brightness of the clothing remains discernible.

The presence of an ancient script, likely Sanskrit, integrated into the composition further identifies the piece as a painted manuscript page.

This painted folio originates from the Gandavyuha-sutra, also known as the "Scripture of the Supreme Array," a foundational text within Mahayana Buddhism. Such illustrated manuscripts were crucial for disseminating and understanding complex religious narratives. The integration of painted imagery with an ancient script, possibly Sanskrit, underscores its function as both a devotional object and a textual aid for Buddhist teachings, providing visual interpretations of sacred narratives.