Artwork

Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso)

Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso), unspecified, 1100
Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso), unspecified, 1100

Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso) is an unspecified painting. It dates from 1100 and is held in the collection of the Cleveland Museum of Art. This artwork is Folio 73 from a Gandavyuha-sutra, a Buddhist scripture.

About this work

History & Provenance

The work is attributed to an unknown artist and is held in the Cleveland Museum of Art under accession number 1955.

The rectangular painting on folio 73 of a Gandavyuha-sutra, depicting Sudhana with an antelope, was created in 1100 in Nepal as part of a Buddhist manuscript tradition. The work is attributed to an unknown artist and is held in the Cleveland Museum of Art under accession number 1955.49.3. Classified as a religious painting, it depicts Sudhana and an antelope on the recto with text on the verso.

No records detail a specific commissioning patron, and the folio's early history remains tied to the manuscript's original religious context before entering the museum's holdings.

Overview

This artwork is Folio 73 from a Gandavyuha-sutra, a Buddhist scripture. It presents a small painted scene on one side (recto) and religious text on the other (verso), all rendered on a wooden panel. The piece shows signs of age, with faded colors, worn edges, and some damage to the central image.

Its dual nature as both an illustrated narrative and a textual record highlights its function within a larger devotional or educational context.

Subject & Meaning

The recto of the folio features a compact, somewhat obscured painting depicting the figure of Sudhana alongside an antelope. This imagery likely illustrates a specific episode from the Gandavyuha-sutra, a significant Buddhist text detailing Sudhana's spiritual journey. While the precise narrative moment is difficult to discern due to the artwork's condition, the presence of these two figures suggests a particular interaction or teaching central to the sutra's teachings.

Technique & Style

Executed on a wooden panel, this folio combines painted illustration with inscribed or painted text. The visual elements, though now muted in color and showing wear, originally served to complement the surrounding scripture. The small scale of the central image, featuring a red-toned figure, is characteristic of manuscript illumination where visual cues enhance the understanding of the written word.

The overall appearance reflects the passage of time, with surfaces that are faded and edges that are visibly worn.

Sudhana and an antelope, folio 73 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)
Sudhana and an antelope, folio 73 (recto) from a Gandavyuha-sutra (Scripture of the Supreme Array)

Artist & collection

This work is in the public domain (CC0). Image source: Cleveland Museum of Art open access. Spotted an error in this record? Tell us.

Frequently asked questions

Where can I see Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso)?

Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso) is held by Cleveland Museum of Art.

What movement is Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso)?

Folio 73 from a Gandavyuha-sutra (Scripture of the Supreme Array): Sudhana and an antelope (recto); text (verso) is associated with Song dynasty landscape.