General José de Urrutia

No specific inventory or accession number is provided in the available sources, nor is there any record of its exhibition history.

The portrait of General José de Urrutia was commissioned by the sitter himself and painted by Francisco Goya in 1798. It was created as an oil on canvas work measuring 199.5 cm by 134.5 cm and was intended as a formal representation of the military officer. After its completion the painting entered the collection of the Museo del Prado in Madrid, where it remains on public view.

The work was first recorded in the museum’s inventory in the early twentieth century and has been part of the institution’s permanent displays since at least 1935.

The portrait of General José de Urrutia is held in the collection of the Museo del Prado. Painted by Francisco Goya in 1798, the work is an oil on canvas measuring 199.5 cm in height and 134.5 cm in width. The painting depicts the general holding a saber and a spotting scope.

No specific inventory or accession number is provided in the available sources, nor is there any record of its exhibition history.

The work is housed in the Museo del Prado and was created by Francisco Goya in 1798. It portrays José de Urrutia, who served as Inspector General of the Royal Artillery and later as General of the Army. The painting’s depiction of military authority reflects Enlightenment-era ideals of discipline and meritocracy, situating it within Goya’s early portraiture before his later shift toward darker themes. Scholarship emphasizes its technical precision and its role in documenting late 18th-century Spanish aristocratic and military culture.

The portrait of General José de Urrutia, painted by Francisco Goya in 1798, has been widely studied as a key example of late 18th‑century Spanish portraiture. Its composition and psychological depth have influenced subsequent military portraiture, particularly in the way authority is rendered through lighting and detail. The work remains a highlight of the Museo del Prado’s collection, where it is displayed in the dedicated portrait gallery, reinforcing Goya’s reputation as a master of realism and narrative nuance.

Scholars cite the painting when examining the transition from Rococo to Neoclassical aesthetics in Spanish art, underscoring its role in shaping visual discourse around leadership and national identity.

Executed in 1800, this oil portrait by Francisco Goya presents General José de Urrutia in a poised stance, his right hand holding a spotting scope and a saber hanging at his side. The figure stands before a rugged, rocky backdrop, dressed in a red‑black military coat with gold trim, a white shirt and tan trousers, his left hand resting on a hat.