Kreuzigung

The painting was created in 1612 by Frans Francken the Younger, as indicated by both internal records and Wikidata documentation.

It is currently held by the Bavarian State Painting Collections and is located at the Alte Pinakothek in Munich. The work’s dimensions are recorded as 52 cm in height and 65 cm in width.

The painting Kreuzigung by Frans Francken the Younger is held within the collection of the Bavarian State Painting Collections. It is currently located at the Alte Pinakothek in Munich. The work was created in 1612 and depicts the crucifixion of Jesus Christ.

Specific inventory or accession numbers are not provided in the available sources, nor is there recorded exhibition history for this piece in the provided data.

Franz Francken the Younger's 1612 'Kreuzigung' occupies a pivotal position within Counter-Reformation religious painting, reflecting evolving devotional practices in Bavarian ecclesiastical circles. The work's composition demonstrates the artist's synthesis of earlier devotional models while introducing subtle shifts in emotional intensity characteristic of late Mannerist religious art in southern Germany. Its presence in the Bavarian State Painting Collections at the Alte Pinakothek since inception has established it as a key reference point for studying regional interpretations of the crucifixion motif in the early 17th century, with scholarly analyses emphasizing its role in bridging High Renaissance iconography and emerging Baroque devotional aesthetics.

The 1612 crucifixion painting by Frans Francken the Younger remains documented in the Bavarian State Painting Collections, where its religious subject and dimensions reflect early 17th-century devotional art practices. The work is part of the Alte Pinakothek's holdings, preserving its historical context within Munich's museum tradition.

Frans Francken the Younger, an Antwerp‑based Flemish painter, completed the oil work titled Kreuzigung in 1612. Executed during the height of the Flemish Baroque, the canvas presents a complex, multi‑figure composition centred on the crucifixion. The painting is part of the Alte Pinakothek’s collection in Munich and exemplifies Francken’s capacity to integrate narrative detail with dramatic lighting.