Who painted Saint George on Foot?

Saint George on Foot was painted by German 16th Century in 1501.

Where can I see Saint George on Foot?

Saint George on Foot is held by National Gallery of Art.

What movement is Saint George on Foot?

Saint George on Foot is associated with Renaissance.

Artwork

Saint George on Foot

German 16th Century , 1501

Saint George on Foot is a print by the Renaissance artist German 16th Century. It dates from 1501 and is held in the collection of the National Gallery of Art.

About this work

Overview

The work titled “Saint George on Foot” is a niello print that portrays a fully armored knight. He stands upright, spear raised in his right hand and a shield held in his left, while a sword hangs at his side. The composition emphasizes the figure’s readiness for combat, presenting a clear image of martial preparedness.

Subject & Meaning

The central figure represents the legendary Saint George, traditionally depicted as a warrior saint. By showing him on foot, the image underscores his role as a defender and martyr, embodying the virtues of courage and protection associated with the saint’s hagiography.

Technique & Style

Created using the niello process, the print combines engraved metal lines with a black inlay of powdered silver sulfide, yielding a stark contrast between fine detailing and dark surfaces. The armor’s intricate patterns and the precise rendering of the spear and shield demonstrate the high level of craftsmanship typical of Renaissance metalwork.

History & Provenance

The piece belongs to the broader corpus of Renaissance art, a period marked by renewed interest in classical forms and technical experimentation. While specific ownership records are not provided, its medium and subject place it within the tradition of devotional prints circulated among patrons of the era.

Context

During the Renaissance, depictions of saints as armed figures served both religious and didactic purposes, reinforcing ideals of moral fortitude. Saint George, in particular, was venerated as a protector against evil, making his martial portrayal a common motif in contemporary visual culture.