Who painted Josina Hamels?

Josina Hamels was painted by Hendrick Goltzius in 1580.

Where can I see Josina Hamels?

Josina Hamels is held by National Gallery of Art.

What movement is Josina Hamels?

Josina Hamels is associated with Renaissance.

Can I buy a print of Josina Hamels?

Museum-quality prints of Josina Hamels are available made-to-order from Artifact World Gallery.

Artwork

Josina Hamels

Hendrick Goltzius , 1580

Josina Hamels is an ink print by the Renaissance artist Hendrick Goltzius. It dates from 1580 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:in oval frame around portrait, in plate: SEQVI PARATA, SIVE TE BELLO dVCEM SEV PACE CIVEM POSTVLABIT PATRIA. REBECCA QVALIS AVT PARENS SARA HAC VNA LEX EST CONIVGIVIRVM SEQVI.; in cartouche below portrait, in plate: HGoltzius. fecit // .1589

About this work

Overview

Created circa 1580, Josina Hamels is an engraving by Hendrick Goltzius, a German‑born artist who worked in the Dutch Republic.

Created circa 1580, Josina Hamels is an engraving by Hendrick Goltzius, a German‑born artist who worked in the Dutch Republic. The print presents a solitary female figure standing on a pedestal, rendered in stark black‑and‑white. Around the central portrait a densely populated border contains miniature scenes of reading, music, and a riverside landscape, all framed by Latin inscriptions that allude to moral virtues.

Subject & Meaning

The central woman, dressed in a dark gown with a ruffled collar, holds a small object and gazes directly at the viewer, suggesting a poised, contemplative presence. The surrounding Latin phrases function as a moralizing program, each line evoking qualities such as wisdom, peace, and prudence. The subsidiary vignettes, a woman reading, a child with a lute, and a pastoral river scene, reinforce the theme of cultivated virtue.

Technique & Style

Goltzius employs his renowned mastery of line engraving, using a network of fine, cross‑hatched strokes to model volume and texture. The delicate hatching creates subtle gradations of shadow that give the fabric, skin, and background a three‑dimensional illusion. The composition reflects the Northern Mannerist taste for intricate detail and complex, interlocking decorative borders.

History & Provenance

The print belongs to the early phase of Goltzius’s career, prior to his later ventures into painting. Produced in the Netherlands during the rise of the early Baroque, it exemplifies his reputation as the leading Dutch engraver of the period. No specific patron or collection history is recorded, but the work circulated as a print, reaching a broad audience of connoisseurs and collectors.

Context

Josina Hamels emerges at a time when Dutch printmaking was flourishing, serving both decorative and didactic purposes. The inclusion of moral Latin mottos aligns with contemporary humanist education, while the elaborate border reflects the Northern Mannerist fascination with allegory and ornament. Goltzius’s technical innovations in line work would influence subsequent generations of engravers across Europe.

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Artist & collection

Artist

Hendrick Goltzius

Hendrick Goltzius (German: , Dutch: ; né Goltz; January or February 1558 – 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter.