Who painted Ni por esas (Neither Do These)?

Ni por esas (Neither Do These) was painted by Francisco de Goya.

Where can I see Ni por esas (Neither Do These)?

Ni por esas (Neither Do These) is held by National Gallery of Art.

What movement is Ni por esas (Neither Do These)?

Ni por esas (Neither Do These) is associated with Impressionism.

Can I buy a print of Ni por esas (Neither Do These)?

Museum-quality prints of Ni por esas (Neither Do These) are available made-to-order from Artifact World Gallery.

Artwork

Ni por esas (Neither Do These)

Francisco de Goya

Ni por esas (Neither Do These) is an ink print by the Impressionist artist Francisco de Goya. It is held in the collection of the National Gallery of Art.

About this work

Overview

Ni por esas (Neither Do These) is a print created by Francisco de Goya in 1863, utilizing a combination of etching, lavis, drypoint, and burin techniques. Characteristic of his later graphic output, this work exemplifies Goya's exploration of contemporary social and political themes through printmaking.

Subject & Meaning

The etching depicts a nocturnal scene of chaos, where a wounded man is being dragged by a group of individuals, some mounted, others on foot. The title suggests a sense of incompleteness or unresolved action, potentially critiquing societal or political ineptitude amidst turmoil.

Technique & Style

Goya employed sharp lines and shadowy tones to convey urgency and disorder. The integration of etching, lavis (ink wash), drypoint (for fine details), and burin (for deeper lines) achieved a rich, expressive texture, hallmark of his innovative printmaking approach.

History & Provenance

Created in 1863, Ni por esas belongs to Goya's later body of graphic works. While specific provenance details are not provided, the piece is consistent with Goya's late-period engagement with etching as a vehicle for social commentary.

Context

This work reflects Goya's response to the tumultuous social and political landscape of his time. Themes of human folly and societal critique, common in his prints, would influence subsequent art movements.