Who painted Dance of Death: The Ploughman?

Dance of Death: The Ploughman was painted by Hans Holbein the Younger in 1526.

Where can I see Dance of Death: The Ploughman?

Dance of Death: The Ploughman is held by Cleveland Museum of Art.

What movement is Dance of Death: The Ploughman?

Dance of Death: The Ploughman is associated with Renaissance.

Can I buy a print of Dance of Death: The Ploughman?

Museum-quality prints of Dance of Death: The Ploughman are available made-to-order from Artifact World Gallery.

Artwork

Dance of Death: The Ploughman

Hans Holbein the Younger , 1526

Dance of Death: The Ploughman is a print by the Renaissance artist Hans Holbein the Younger. It dates from 1526 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1929.168
Credit line: Gift of The Print Club of Cleveland

About this work

Overview

Created circa 1526, this woodcut is one of Hans Holbein the Younger’s illustrations for his Dance of Death series. The print shows a ploughman at work in a countryside setting, accompanied by two horses, while a skeletal figure guides the scene, embodying the medieval allegory that death visits every occupation.

Subject & Meaning

The composition juxtaposes a laboring farmer with a personified Death, emphasizing the inevitability of mortality regardless of social status. By placing the grim figure alongside ordinary agricultural activity, Holbein underscores a moral lesson common to Reformation-era art: all lives are equally subject to the same end.

Technique & Style

Executed as a woodcut, the image relies on fine line work to render the ploughman’s posture, the musculature of the horses, and the rolling landscape. Holbein’s Northern Renaissance sensibility appears in the meticulous attention to texture and spatial depth, creating a realistic yet allegorical scene.

History & Provenance

Holbein, a German‑Swiss artist known for portraiture and book design, produced the Dance of Death series while active in Basel. The series circulated as printed pamphlets, reaching a broad audience during the early Reformation, though the original blocks and early impressions have not survived in a single collection.

Context

The work reflects contemporary preoccupations with death and moral instruction, themes amplified by the religious upheavals of the 1520s. Holbein’s engagement with satire and didactic imagery aligns the print with other European Danse Macabre traditions that warned viewers of life's transience.