Artwork
Landscape, Land of Nod
Landscape, Land of Nod is an ink print by Childe Hassam. It dates from 1918 and is held in the collection of the National Gallery of Art.
- Inscription
- Inscribed:lower right on stone: Land of Nod / June 15th 1918 / Childe Hassam; lower right in graphite: [artist's monogram]; lower left edge in green colored pencil by unknown hand: 443 [circled]; lower left edge in graphite by unknown hand: Landscape Land of Nod; upper left verso in graphite by unknown hand: #23
About this work
Overview
The composition presents a quiet outdoor scene where a line of trees frames a meandering path that disappears into a softly rolling terrain.
Childe Hassam’s print titled “Landscape, Land of Nod” is a black lithograph executed on wove paper. The composition presents a quiet outdoor scene where a line of trees frames a meandering path that disappears into a softly rolling terrain. The work’s limited palette and restrained scale convey a contemplative atmosphere, inviting the viewer to follow the subtle shifts of light and shadow across the surface.
Subject & Meaning
The image depicts a tranquil countryside vista, with a cluster of trees bordering a sinuous track that winds through gentle hills. The absence of human figures emphasizes the solitude of the natural setting, suggesting a moment of quiet reflection within an unspoiled landscape. The title’s reference to “Land of Nod” alludes to a dreamlike or restful state, reinforcing the work’s calm, meditative tone.
Technique & Style
Created by lithography, the piece relies on a stone surface treated to accept greasy ink, which is then transferred onto wove paper. Hassam employs sketch‑like, gestural strokes that give the surface a textured, almost tactile quality. The dominant use of black and brown tones against a beige ground produces depth through tonal variation rather than color, highlighting the undulating forms of the terrain.
Context
Produced during Hassam’s later career, the lithograph reflects his ongoing interest in American scenery and the possibilities of printmaking as a means of disseminating his vision. While specific exhibition history is not recorded, the work aligns with the broader turn‑of‑the‑century movement among American artists to explore everyday landscapes through simplified palettes and modernist compositional strategies.
Own this work as a print
Artist & collection
Artist
Frederick Childe Hassam (; October 17, 1859 – August 27, 1935) was an American Impressionist painter, noted for his urban and coastal scenes.
