Artwork
Plate 51: Crossbeak, Chough, Bee-Eater, and Other Birds
Plate 51: Crossbeak, Chough, Bee-Eater, and Other Birds is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art. Created circa 1594, this miniature drawing presents a group of seven birds arranged on branches and rocks.
- Inscription
- Inscribed:Upper center in violet/blue ink: OMNIBVS GALERITIS OPORTET CRISTAM INESSE.; center right in (gold?): LI.; birds in image numbered .1., .2., .3., .4., .5., .6., .7., and .8., in red ink; lower center in red ink: SEMPER GRACVLVS ASSIDET GRACVLO. Facing page: Upper center in black ink: .6. / Inter Indoctos etiam Corydus sonat.; lower center in black ink: Regulus atq[ue] Merops, et rubro pectore Progne / consimili modo Zinzilulare sciunt.
About this work
Overview
Created circa 1594, this miniature drawing presents a group of seven birds arranged on branches and rocks. Executed in watercolor with touches of gold on parchment, the composition is enclosed within a gold‑lined circular frame, giving the impression of a small, illuminated window into a natural scene.
Subject & Meaning
The birds include a crossbill, a chough, a bee‑eater and several other species, rendered in a range of tones from deep, almost black plumage to vivid blues and pinks. Latin inscriptions border the image, likely offering brief identifiers or proverbial remarks about the depicted avian forms.
Technique & Style
Hoefnagel applied transparent watercolor washes in successive layers, a glazing method that builds depth and subtle colour shifts. Fine brushwork delineates individual feathers and claws, while gold paint accents the border and highlights, reflecting the artist’s background in manuscript illumination.
History & Provenance
The work is attributed to Joris Hoefnagel, a Flemish painter and draftsman noted for his contributions to natural history illustration and decorative manuscript art in the late sixteenth century. It stands among the later examples of illuminated manuscript production before the medium gave way to printed books.
Context
During this period, northern European artists increasingly combined scientific observation with decorative painting. Hoefnagel’s interest in topographical drawing and floral still‑life is evident here, where the meticulous rendering of birds serves both an educational and aesthetic purpose.
Own this work as a print
Artist & collection
Artist
Joris Hoefnagel or Georg Hoefnagel (1542 – 24 July 1601) was a Flemish painter, printmaker, miniaturist, draftsman and merchant.
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