Who painted Woman Standing beneath Two Trees?

Woman Standing beneath Two Trees was painted by William Morris Hunt in 1877.

Where can I see Woman Standing beneath Two Trees?

Woman Standing beneath Two Trees is held by National Gallery of Art.

What movement is Woman Standing beneath Two Trees?

Woman Standing beneath Two Trees is associated with Impressionism.

Can I buy a print of Woman Standing beneath Two Trees?

Museum-quality prints of Woman Standing beneath Two Trees are available made-to-order from Artifact World Gallery.

Artwork

Woman Standing beneath Two Trees

William Morris Hunt , 1877

Woman Standing beneath Two Trees is a chalk drawing by the Impressionist artist William Morris Hunt. It dates from 1877 and is held in the collection of the National Gallery of Art.

About this work

Overview

William Morris Hunt’s drawing titled Woman Standing beneath Two Trees dates from around 1877. Executed in black chalk on laid paper, the work measures a modest size and presents a solitary female figure positioned beneath a pair of slender trees. The composition is intimate, with the natural elements framing the subject in a quiet, outdoor setting.

Subject & Meaning

The drawing depicts a woman in a simple, loosely draped dress, standing with a relaxed posture that is subtly turned away from the viewer. The two trees, rendered with delicate, branching lines, dominate the visual field, suggesting a sense of shelter or contemplation. The scene evokes a moment of stillness, inviting reflection on the relationship between figure and landscape.

Technique & Style

Hunt employs black chalk on a light, laid paper, allowing for soft, atmospheric lines. The foliage is suggested with swift, light strokes that convey texture without detail, while the woman's garment is indicated through gentle folds and minimal shading. This sketchy approach creates a sense of immediacy, emphasizing gesture and form over precise rendering.

History & Provenance

Created circa 1877, the drawing belongs to the later period of Hunt’s career, when he was exploring more spontaneous drawing methods. While specific ownership records are limited, the work is catalogued among Hunt’s drawings and has been referenced in studies of his oeuvre, illustrating his interest in figure studies within natural settings.