Artwork
Anbetung der Hirten

Anbetung der Hirten is an unspecified painting by the Early Baroque Italian artist Joachim Wtewael. It dates from 1622 and is held in the collection of the Kunsthistorisches Museum.
About this work
Subject & Meaning
Joachim Wtewael's 1622 painting depicts the Adoration of the Shepherds, a standard scene from the Nativity narrative.
Joachim Wtewael's 1622 painting depicts the Adoration of the Shepherds, a standard scene from the Nativity narrative. The composition centers on the Christ Child as the primary figure of veneration. As a work of religious art, the piece illustrates the biblical moment when shepherds arrive to witness the birth of Jesus, emphasizing themes of humility and divine revelation.
The iconography focuses on the interaction between the holy infant and the visiting shepherds, representing the first acknowledgment of the Messiah by common people.
Context
The painting Anbetung der Hirten by Joachim Wtewael was created in 1622 and is housed in the Kunsthistorisches Museum. It depicts the adoration of the shepherds, reflecting the artist's focus on religious subjects within the early Baroque period. The work is recognized as part of Wtewael's broader oeuvre of mythological and biblical scenes, contributing to discussions of Dutch painting's stylistic transitions during the early 17th century.
Overview
Created in 1622 by the Dutch artist Joachim Wtewael, Anbetung der Hirten presents a nocturnal nativity scene centered on the infant Christ. The composition, now part of the Kunsthistorisches Museum’s collection, combines a modest stable setting with a group of shepherds gathered around the newborn, illuminated by a subtle, dramatic light source.
Technique & Style
Wtewael employs a pronounced chiaroscuro, contrasting deep shadows with bright highlights to heighten the scene’s theatricality. Despite the early Baroque influence evident in the lighting, the work retains his characteristic Mannerist elegance: elongated poses, polished surfaces, and intricate drapery that set it apart from the more naturalistic tendencies of his contemporaries.
History & Provenance
Beyond his artistic career, Wtewael was a successful flax merchant and served as a councilor in Utrecht, maintaining a distinct Mannerist approach throughout his life. Anbetung der Hirten entered the Kunsthistorisches Museum’s holdings in the 20th century, where it remains a representative example of his religious output and the cross‑regional stylistic currents of the early 17th century.
Artist & collection
Artist
Joachim Anthoniszoon Wtewael (Dutch pronunciation:; 1566 – 1 August 1638), also known as Uytewael (pronounced ), was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht.

















