Artwork

Anbetung der Hirten

Anbetung der Hirten, by Joachim Wtewael, unspecified, 1622
Anbetung der Hirten, by Joachim Wtewael, unspecified, 1622

Anbetung der Hirten is an unspecified painting by the Early Baroque Italian artist Joachim Wtewael. It dates from 1622 and is held in the collection of the Kunsthistorisches Museum.

About this work

Subject & Meaning

Joachim Wtewael's 1622 painting depicts the Adoration of the Shepherds, a standard scene from the Nativity narrative.

Joachim Wtewael's 1622 painting depicts the Adoration of the Shepherds, a standard scene from the Nativity narrative. The composition centers on the Christ Child as the primary figure of veneration. As a work of religious art, the piece illustrates the biblical moment when shepherds arrive to witness the birth of Jesus, emphasizing themes of humility and divine revelation.

The iconography focuses on the interaction between the holy infant and the visiting shepherds, representing the first acknowledgment of the Messiah by common people.

Context

The painting Anbetung der Hirten by Joachim Wtewael was created in 1622 and is housed in the Kunsthistorisches Museum. It depicts the adoration of the shepherds, reflecting the artist's focus on religious subjects within the early Baroque period. The work is recognized as part of Wtewael's broader oeuvre of mythological and biblical scenes, contributing to discussions of Dutch painting's stylistic transitions during the early 17th century.

Overview

Created in 1622 by the Dutch artist Joachim Wtewael, Anbetung der Hirten presents a nocturnal nativity scene centered on the infant Christ. The composition, now part of the Kunsthistorisches Museum’s collection, combines a modest stable setting with a group of shepherds gathered around the newborn, illuminated by a subtle, dramatic light source.

Technique & Style

Wtewael employs a pronounced chiaroscuro, contrasting deep shadows with bright highlights to heighten the scene’s theatricality. Despite the early Baroque influence evident in the lighting, the work retains his characteristic Mannerist elegance: elongated poses, polished surfaces, and intricate drapery that set it apart from the more naturalistic tendencies of his contemporaries.

History & Provenance

Beyond his artistic career, Wtewael was a successful flax merchant and served as a councilor in Utrecht, maintaining a distinct Mannerist approach throughout his life. Anbetung der Hirten entered the Kunsthistorisches Museum’s holdings in the 20th century, where it remains a representative example of his religious output and the cross‑regional stylistic currents of the early 17th century.

Darbringung Christi im Tempel
Darbringung Christi im Tempel, Unknown

Artist & collection

Portrait of Joachim Wtewael

Artist

Joachim Wtewael

Joachim Anthoniszoon Wtewael (Dutch pronunciation:; 1566 – 1 August 1638), also known as Uytewael (pronounced ), was a Dutch Mannerist painter and draughtsman, as well as a highly successful flax merchant, and town councillor of Utrecht.

Frequently asked questions

Who painted Anbetung der Hirten?

Anbetung der Hirten was painted by Joachim Wtewael in 1622.

Where can I see Anbetung der Hirten?

Anbetung der Hirten is held by Kunsthistorisches Museum.

What movement is Anbetung der Hirten?

Anbetung der Hirten is associated with Early Baroque Italian.