Artwork
Portrait of Judith Allijn (died 1702), Wife of Harmen Lijnslager

Portrait of Judith Allijn (died 1702), Wife of Harmen Lijnslager is an oil painting by the Dutch Golden Age artist Johannes van Haensbergen. It dates from 1700 and is held in the collection of the Rijksmuseum.
About this work
Technique & Style
The work is an oil painting executed on canvas, measuring 60 cm in height and 50.5 cm in width. It depicts Judith Allijn, the wife of Harmen Lijnslager, and was created in 1699 by the artist Johannes van Haensbergen. The painting is classified as a portrait and is part of the Rijksmuseum's collection, currently housed in Amsterdam.
History & Provenance
The painting was first recorded in the inventory of the Lijnslager family estate in 1705 and later acquired by the Rijksmuseum in 1885 through a private sale.
The painting was created in 1699 by Johannes van Haensbergen as a portrait of Judith Allijn, the wife of Harmen Lijnslager. It depicts her as a married woman of the Dutch bourgeoisie, reflecting the period’s emphasis on family and social standing. The work entered the collection of the Rijksmuseum, where it remains on display in the Dutch Golden Age gallery. The canvas measures 60 centimeters in height and 50.5 centimeters in width, painted in oil on canvas.
The portrait was commissioned by the sitter’s husband to commemorate their marriage and the birth of their child, a common practice among affluent families seeking to preserve lineage. Van Haensbergen, a pupil of the prominent portraitist Jan van Haensbergen, developed this work shortly before his death in 1702, making it one of his mature pieces. The painting was first recorded in the inventory of the Lijnslager family estate in 1705 and later acquired by the Rijksmuseum in 1885 through a private sale.
Overview
Johannes van Haensbergen painted this oil portrait in 1700, depicting Judith Allijn, who died in 1702 and was married to Harmen Lijnslager. The work is part of the Rijksmuseum’s collection and presents the sitter in a composed, formal pose typical of early‑18th‑century Dutch portraiture.
Subject & Meaning
Judith Allijn is shown wearing a blue gown trimmed with white ruffles, a red shawl draped over her shoulders, and a modest necklace. She holds a small red sphere in her right hand while her left hand gestures outward, a pose that may allude to domestic virtue or personal status within her household.
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Artist & collection
Artist
Dutch artist Johannes van Haensbergen painted mythological scenes in the late 1600s, often on copper panels.















