Who painted Chushingura: Act II of The Storehouse of Loyalty?

Chushingura: Act II of The Storehouse of Loyalty was painted by Kitagawa Utamaro in 1794.

Where can I see Chushingura: Act II of The Storehouse of Loyalty?

Chushingura: Act II of The Storehouse of Loyalty is held by Cleveland Museum of Art.

What movement is Chushingura: Act II of The Storehouse of Loyalty?

Chushingura: Act II of The Storehouse of Loyalty is associated with Romanticism.

Can I buy a print of Chushingura: Act II of The Storehouse of Loyalty?

Museum-quality prints of Chushingura: Act II of The Storehouse of Loyalty are available made-to-order from Artifact World Gallery.

Artwork

Chushingura: Act II of The Storehouse of Loyalty

Kitagawa Utamaro , 1794

Chushingura: Act II of The Storehouse of Loyalty is a print by the Romanticist artist Kitagawa Utamaro. It dates from 1794 and is held in the collection of the Cleveland Museum of Art.

Accession no.: 1921.354
Credit line: Gift from J. H. Wade

About this work

Overview

Chushingura: Act II of The Storehouse of Loyalty, created around 1794 by Kitagawa Utamaro, is a ukiyo-e print housed at The Cleveland Museum of Art. The work depicts a serene interior scene with three women and an inset narrative element.

Subject & Meaning

The print illustrates a moment from 'Chushingura,' a well-known Japanese tale of loyalty. The main scene focuses on three women engaged in quiet, intimate activities within a room, contrasting with the more somber, dark-robed figure kneeling near a box, suggesting underlying tensions or narrative depth. An inset shows a man with two children, contextualizing the broader story.

Technique & Style

Utamaro employs characteristic soft color palette (pinks, greens, muted blues) with bold black outlines, defining forms and space. The women's natural yet stylized poses, intricate hairstyles, and flowing robes exemplify Utamaro's attention to detail and composition.

History & Provenance

Created circa 1794, the print is part of Utamaro's oeuvre from his productive period. It is currently part of The Cleveland Museum of Art's collection.

Context

This work reflects the late 18th-century interest in illustrating popular narratives like 'Chushingura' through ukiyo-e prints, catering to a growing urban audience interested in literature and theater.

Legacy

As a typical example of Utamaro's narrative prints, it contributes to the artist's reputation for capturing everyday life and literary themes with elegance and subtlety, influencing subsequent generations of Japanese printmakers.