Portrait of a Painter, probably a Self Portrait

The painting Portrait of a Painter, probably a Self Portrait was created in 1709 by Krzysztof Lubieniecki, as documented by both internal records and Wikidata. The work measures 92 by 72.5 cm and is executed in oil on canvas.

Its earliest recorded ownership is attributed to Wolter Gockinga, though the circumstances of its acquisition remain undocumented. The painting later entered the collection of the Rijksmuseum, where it is currently housed. No evidence of a commission or prior provenance before Gockinga has been substantiated in the available sources.

The painting is held in the Rijksmuseum, Amsterdam, where it forms part of the institution’s permanent collection. It is catalogued under inventory number SK-A-1371.

The work has been included in exhibitions at the Rijksmuseum, though specific exhibition titles and dates are not uniformly documented across sources. Its presence in the museum’s collection underscores its recognition as a significant example of early 18th-century portraiture.

Krzysztof Lubieniecki's 1709 oil painting Portrait of a Painter, likely depicting himself, occupies a distinctive position in early 18th-century Polish art. While genre painting was gaining prominence in Northern Europe, the work functions as a self-referential statement within the portrait tradition, reflecting contemporary artistic identity debates. Its classification as a self-portrait by both contemporary records and modern cataloguing systems underscores its role in documenting the artist's professional persona.

The painting's inclusion in the Rijksmuseum collection, following its acquisition through Wolter Gockinga's legacy, situates it within institutional efforts to preserve Northern European artistic heritage.

Portrait of a Painter, probably a Self Portrait is an oil painting created in 1709 by Krzysztof Lubieniecki, a Polish Baroque artist active in Amsterdam during the Dutch Golden Age. The work is now part of the Rijksmuseum's collection.

While specific influences or direct artistic legacies of Portrait of a Painter are not outlined, it contributes to the broader understanding of Baroque self-portraiture and the role of Polish artists in 17th-century Dutch art circles.