François Vilain de Gand, baron de Rassenghem. Bishop of Tournai (1647-66)

The portrait of François Vilain de Gand, baron de Rassenghem, was executed in 1650 by Lucas Franchoys the Younger. Created as an oil painting on panel, the work measures 41 cm in height and 27.5 cm in width. It is currently held in the collection of the Rijksmuseum.

The documented ownership chain traces back through the Six family lineage. The painting was previously owned by Jan Six van Vromade and his father, Pieter Hendrik Six van Vromade. Prior to them, it was in the possession of Jan Pieter Six VI, followed by Hendrik Six van Hillegom.

The work also formed part of the collection of Lucretia Johanna van Winter before entering its current institutional home.

The portrait of François Vilain de Gand, baron de Rassenghem, is held in the collection of the Rijksmuseum in Amsterdam. The work entered the museum's holdings as part of the Six van Vromade collection, which previously included ownership by Jan Six van Vromade, Pieter Hendrik Six van Vromade, and earlier members of the Six and Van Winter families. Specific inventory or accession numbers for the painting are not provided in the available records. No exhibition history for this particular portrait is documented in the current sources.

The portrait by Lucas Franchoys the Younger depicting François Vilain de Gand, baron de Rassenghem, has been recognized as part of the Rijksmuseum collection since its provenance included Lucretia Johanna van Winter and subsequent family owners before transfer to institutional custody. Its representation of 17th-century ecclesiastical authority contributed to scholarly reassessments of Baroque portraiture within European museum holdings.

This 17th-century oil painting, created circa 1650 by Lucas Franchoys the Younger, is a portrait of François Vilain de Gand, baron de Rassenghem, who served as Bishop of Tournai from 1647 to 1666. The work is part of the Rijksmuseum's Dutch Golden Age collection.

The portrait reflects the artistic and cultural exchange of the Flemish Baroque period, with Franchoys' work influenced by prominent figures like Van Dyck, while the subject's position as Bishop of Tournai situates the piece within the religious hierarchy of the time.