Who painted The Departure of the Prodigal Son?

The Departure of the Prodigal Son was painted by Karel van Mander I in 1577.

Where can I see The Departure of the Prodigal Son?

The Departure of the Prodigal Son is held by National Gallery of Art.

What movement is The Departure of the Prodigal Son?

The Departure of the Prodigal Son is associated with Renaissance.

Can I buy a print of The Departure of the Prodigal Son?

Museum-quality prints of The Departure of the Prodigal Son are available made-to-order from Artifact World Gallery.

Artwork

The Departure of the Prodigal Son

Karel van Mander I , 1577

The Departure of the Prodigal Son is an ink drawing by the Renaissance artist Karel van Mander I. It dates from 1577 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:in later hand, lower right in brown ink: Hescher; lower center inbrown ink, on mount: [illegible]; lower left verso in grpahit e: Karl van Mander / No.3734 7MB55XW

About this work

Overview

Karel van Mander I’s drawing titled The Departure of the Prodigal Son was executed in 1577. Rendered on laid paper with pen, brown ink, and a brown wash that is intensified in places with white highlights, the work measures as a single sheet drawing. It records a moment of movement within an architectural courtyard, capturing a narrative episode through a compact, sketch‑like composition.

Subject & Meaning

The scene depicts a small procession exiting a courtyard: a man wearing a broad‑brimmed hat leads a dog, while another figure in a long cape walks ahead, and a woman in an elaborate dress observes from the periphery. The surrounding walls are adorned with miniature paintings and statues, and a balcony holds potted plants and vases, suggesting a domestic setting that frames the act of departure, possibly alluding to the biblical parable of the prodigal son.

Technique & Style

Van Mander employs rapid, gestural strokes of pen and ink, allowing the forms to suggest motion rather than detail.

Van Mander employs rapid, gestural strokes of pen and ink, allowing the forms to suggest motion rather than detail. Cross‑hatching creates tonal depth, while the brown wash provides a muted atmospheric background. Selective white highlights accentuate the figures’ outlines and the architectural elements, giving the drawing a sense of immediacy and emotional tension characteristic of late‑sixteenth‑century Northern European sketching.

History & Provenance

The drawing was produced in 1577, during the early phase of van Mander’s career when he was active in the Netherlands. Although its later ownership trail is not fully documented, the work has been catalogued among his surviving drawings and is referenced in scholarly inventories of his oeuvre, confirming its attribution to the elder Karel van Mander.