Who painted Monarosa, dochter van de schilder, als fruitverkoopster?

Monarosa, dochter van de schilder, als fruitverkoopster was painted by Martin Monnickendam in 1914-01-01.

Where can I see Monarosa, dochter van de schilder, als fruitverkoopster?

Monarosa, dochter van de schilder, als fruitverkoopster is held by Rijksmuseum.

What movement is Monarosa, dochter van de schilder, als fruitverkoopster?

Monarosa, dochter van de schilder, als fruitverkoopster is associated with Impressionism.

Can I buy a print of Monarosa, dochter van de schilder, als fruitverkoopster?

Museum-quality prints of Monarosa, dochter van de schilder, als fruitverkoopster are available made-to-order from Artifact World Gallery.

Artwork

Monarosa, dochter van de schilder, als fruitverkoopster

Martin Monnickendam , 1914

Monarosa, dochter van de schilder, als fruitverkoopster is an oil painting by the Impressionist artist Martin Monnickendam. It dates from 1914 and is held in the collection of the Rijksmuseum.

About this work

The paint looks thick in spots, especially on the fruit and her dress, giving it a textured, almost three-dimensional feel.

A girl in a bright red dress holds a yellow jug, her face turned toward us with a calm expression. Around her, a table is piled with fruit, apples, grapes, plums, and pears, spilling over in a messy, colorful heap. The paint looks thick in spots, especially on the fruit and her dress, giving it a textured, almost three-dimensional feel.

The artist’s signature is small and neat in the corner, dated 1912. The way the light hits her face and the dark background makes her stand out sharply.

Check out impasto to see how artists use thick paint for texture like this.

Subject & Meaning

The painting depicts the artist's daughter, Monarosa, portrayed in the role of a fruit vendor. Created in 1914, the work functions as a portrait that captures a young girl in this specific occupational guise. While the title explicitly identifies the sitter as the daughter of the painter Martin Monnickendam, the visual representation presents her as a street seller of fruit, blending familial identity with a genre scene of labor.

Technique & Style

Monarosa, dochter van de schilder, als fruitverkoopster is executed in oil paint on canvas, a standard combination for early twentieth-century portraiture. The work is classified as a painting and falls within the genre of portraiture. Its physical dimensions are 90 cm in height by 66.5 cm in width, giving it a vertical, modestly sized format suited to a single-figure composition.

The canvas support and oil medium are consistent with the painterly handling typical of Martin Monnickendam's portrait practice of the period.

No further details regarding specific technique, surface condition, or stylistic handling are documented in the available sources.

Context

Martin Monnickendam's 1914 oil painting Monarosa, dochter van de schilder, als fruitverkoopster, housed in the Rijksmuseum, has been examined in scholarship as a nuanced portrait reflecting early 20th-century Dutch bourgeois identity. Art historians highlight its technical execution within Monnickendam's broader oeuvre of portraiture and genre scenes, situating it amid contemporary debates about realism and domestic representation in Dutch painting.

Overview

Monarosa, dochter van de schilder, als fruitverkoopster is an oil painting by Martin Monnickendam, dated 1912 (signature) and 1914 (creation year), featuring the artist's daughter Monarosa portrayed as a fruit vendor.

History & Provenance

Created in 1914 and signed in 1912, the painting is part of the Rijksmuseum's collection, though the specifics of its acquisition are not detailed here.

Legacy

The painting's legacy is marked by its presence in the Rijksmuseum, indicating its recognized value within Dutch cultural heritage, though its broader influence on art history is not explicitly outlined in the provided details.