Who painted A Woman in Greek Dress, the Bosphorus in the background?

A Woman in Greek Dress, the Bosphorus in the background was painted by William Page in 1818.

Where can I see A Woman in Greek Dress, the Bosphorus in the background?

A Woman in Greek Dress, the Bosphorus in the background is held by Victoria and Albert Museum.

What movement is A Woman in Greek Dress, the Bosphorus in the background?

A Woman in Greek Dress, the Bosphorus in the background is associated with Romanticism.

Can I buy a print of A Woman in Greek Dress, the Bosphorus in the background?

Museum-quality prints of A Woman in Greek Dress, the Bosphorus in the background are available made-to-order from Artifact World Gallery.

Artwork

A Woman in Greek Dress, the Bosphorus in the background

William Page , 1818

A Woman in Greek Dress, the Bosphorus in the background is a watercolor work on paper by the Romanticist artist William Page. It dates from 1818 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

William Page’s watercolour presents a solitary female figure clad in a white draped garment with a blue‑patterned shawl, set against a softened landscape that hints at the Bosphorus Strait. The composition balances a classical costume study with a faintly rendered horizon of hills, trees and a distant vessel, rendered in delicate washes that convey atmospheric depth.

Subject & Meaning

The sitter is portrayed in attire reminiscent of ancient Greek dress, suggesting an interest in historical costume and the romantic allure of antiquity. By placing this figure before a recognizable geographic feature, Page merges imagined classical identity with a real, contemporary setting, inviting viewers to contemplate the intersection of past and present.

Technique & Style

Executed in light watercolour washes, the work employs translucent layers to model form and suggest distance. The palette is restrained, dominated by soft whites, blues, and muted earth tones. This early approach contrasts with Page’s later, more detailed picturesque landscapes of the 1820s‑30s, highlighting a formative stage in his artistic development.

History & Provenance

The drawing belongs to a series of costume studies undertaken by Page, some derived from direct observation and others from secondary references. It was previously in the collection of a collector named Holder before being acquired by its current institution in 1965, marking its transition from private to public ownership.