Who painted La Befana?

La Befana was painted by Bartolomeo Pinelli in 1821.

Where can I see La Befana?

La Befana is held by National Gallery of Art.

What movement is La Befana?

La Befana is associated with Romanticism.

Can I buy a print of La Befana?

Museum-quality prints of La Befana are available made-to-order from Artifact World Gallery.

Artwork

La Befana

Bartolomeo Pinelli , 1821

La Befana is an ink print by the Romanticist artist Bartolomeo Pinelli. It dates from 1821 and is held in the collection of the National Gallery of Art.

Inscription: Inscribed:in image, at top center: VENITE BEFANARI / CHE E VENUTA / LA BEFANA; below image, at left: Pinelli dis. e. inc.; below image, at center: La Befana Costume in Roma, il mese de Gennajo; below image, at right: Roma 1821

About this work

Overview

Bartolomeo Pinelli’s 1821 etching titled “La Befana” depicts a bustling street tableau rendered on laid paper. Central to the composition is a woman in traditional costume seated on a donkey, clutching a broom, surrounded by onlookers of various ages. The scene is populated with stalls bearing round confections and a decorative garland, creating a lively public setting.

Subject & Meaning

The central figure represents the Befana, a folkloric Italian character associated with gift‑giving during the Epiphany. Her presence on a donkey, broom in hand, and the surrounding crowd of children reaching toward her suggest a communal celebration of this tradition, emphasizing themes of generosity and seasonal festivity.

Technique & Style

Pinelli employed fine etched lines to model shadows and texture, giving the impression of carved relief on the paper surface. The use of cross‑hatching and varied line density creates depth in the figures and architectural elements, while the laid paper’s faint ribbing adds subtle tonal variation to the overall composition.

History & Provenance

Created in 1821, the print reflects Pinelli’s interest in popular culture and everyday life in early nineteenth‑century Italy. It was produced as a single‑plate etching, typical of his output for the burgeoning market of illustrated prints, and has since been catalogued among his works documenting Italian customs.