Artwork
Study for "Antiochus and Stratonice"
Study for "Antiochus and Stratonice" is an unspecified painting by the Baroque artist Pompeo Batoni. It dates from 1746 and is held in the collection of the Cleveland Museum of Art. This painting is a study for a scene depicting a pivotal moment in the ancient Roman tale of Antiochus and Stratonice.
- Accession no.
- 2008.69
- Credit line
- Bequest of Jacques de Caso in memory of Alice Cagliostro and Domenick Cagliostro
About this work
Overview
This painting is a study for a scene depicting a pivotal moment in the ancient Roman tale of Antiochus and Stratonice. It captures a dramatic and emotionally charged event within the narrative.
Subject & Meaning
The scene portrays Antiochus on his deathbed, his condition mysteriously tied to his unrequited love for Stratonice, his stepmother. The painting conveys themes of love, familial devotion, and selflessness as Antiochus’s father considers sacrificing his marriage for his son’s life.
Technique & Style
While specific technical details of this study are not provided, works from this period (presumably 18th century given the popularity of the subject into the 1800s) often feature meticulous attention to detail, expressive facial renderings, and a blend of neoclassical and baroque influences common in European art of the time.
History & Provenance
The story’s origins are in ancient Rome, and the subject matter was popular in European art well into the 19th century. Specific provenance details for this study (e.g., creation date, artist if not Batoni as hinted, ownership history) are not provided.
Context
Part of a broader tradition of depicting classical narratives in European art, this work reflects the enduring appeal of ancient stories in inspiring artistic creations. Its themes and subject matter would have resonated with an audience familiar with classical literature.
Own this work as a print
Artist & collection
Artist
Pompeo Girolamo Batoni (25 January 1708 – 4 February 1787) was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures.
