Artwork
Nymphs and a Satyr (Amor Vincit Omnia)
Nymphs and a Satyr (Amor Vincit Omnia) is an oil painting by the Flemish Baroque painting artist Nicolas Poussin. It dates from 1625 and is held in the collection of the Cleveland Museum of Art.
About this work
Technique & Style
The handling of the oil medium on the woven support reflects the artist's early period production before his permanent settlement in Rome.
Executed in 1625, this mythological work by Nicolas Poussin is an oil painting on canvas. The composition measures approximately 97 cm in height and 127.5 cm in width. Created in France, the piece depicts a scene involving a tree, consistent with its classification as a mythological narrative.
The handling of the oil medium on the woven support reflects the artist's early period production before his permanent settlement in Rome. While specific details regarding surface condition or distinct brushwork techniques are not elaborated upon in the available records, the fundamental material construction remains defined by the application of oil pigments onto a canvas support.
History & Provenance
Nymphs and a Satyr (Amor Vincit Omnia) was painted by Nicolas Poussin around 1625 in France. It is dated to this period based on stylistic analysis and early provenance records. The work’s first documented owner was Cassiano dal Pozzo, a prominent Roman collector and patron, who acquired it during Poussin’s early maturity.
By descent, it passed to his brother Gabriele dal Pozzo. Later, the painting entered British ownership with William Waldegrave, 1st Baron Radstock, followed by John Rushout, 2nd Baron Northwick. It was subsequently owned by John Erle-Drax and then Wanley Ellis Sawbridge-Erle-Drax.
The canvas was later handled by the London dealers Durlacher Bros. before entering the collection of the Cleveland Museum of Art, where it remains.
Nicolas Poussin's oil painting Nymphs and a Satyr (Amor Vincit Omnia), created in 1625, is held in the collection of the Cleveland Museum of Art in Cleveland, Ohio. The work bears the museum's accession number 1926.26. The piece is executed in oil on canvas and measures approximately 97 cm in height by 127.5 cm in width.
Prior to its current location, the painting was owned by a succession of notable collectors, including Cassiano and Gabriele dal Pozzo, William Waldegrave, 1st Baron Radstock, John Rushout, 2nd Baron Northwick, John Erle-Drax, Wanley Ellis Sawbridge-Erle-Drax, and Durlacher Bros. While the provided sources confirm the painting's creation in France and its eventual arrival in the Cleveland Museum of Art's holdings, no specific exhibition history or dates of past displays are recorded in the available documentation.
Overview
Nicolas Poussin's painting, Nymphs and a Satyr (Amor Vincit Omnia), created in 1625, is an oil on canvas depicting a mythological scene. This work features several figures within a natural setting, characteristic of the artist's early career. The painting is currently part of the collection at The Cleveland Museum of Art, where it represents a significant example of Poussin's approach to classical themes.
Subject & Meaning
The composition portrays five nude figures leisurely gathered in a secluded, shaded forest glade. On the right, a woman reclines with extended legs, accompanied by a small child holding a wreath. Behind them, two male figures and another child rest beneath the canopy of trees.
The scene is framed by prominent oak trunks, which stand dark against a distant bright sky, establishing an idyllic yet intimate setting for the mythological encounter.
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Artist & collection
Artist
Nicolas Poussin (UK: US: French:; June 1594 – 19 November 1665) was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome.
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