元/明 倣錢選 鮮于樞 歸去來辭 卷|Ode on Returning Home

The work titled Ode on Returning Home was produced in 1399 in China by the Yuan‑Ming painter Qian Xuan as a handscroll employing ink, color and gold on paper. It belongs to the landscape genre and depicts a boat and a solitary figure. The painting remained in China until it entered the collection of the Metropolitan Museum of Art, where it is presently held.

Its creation reflects the late‑Ming aesthetic of scholarly retreat, and the handscroll format was customary for private contemplation. The Metropolitan Museum of Art’s catalogue records its acquisition, establishing the current ownership chain from the artist to the museum.

The handscroll titled Ode on Returning Home by Qian Xuan, dated 1399, is held in the collection of the Metropolitan Museum of Art in New York. It is classified among Yuan‑Ming landscape paintings and is documented as a work created in China. The cited records do not provide an accession number, nor do they reference any exhibition history for the piece.

The work remains part of the museum's permanent holdings and is studied within the context of early Chinese ink painting.

Qian Xuan created the handscroll Ode on Returning Home in 1399, employing ink, color and gold on paper to depict a solitary boat within a lyrical landscape. Classified as a painting and landscape work, the piece features a man amidst natural scenery and is catalogued in the Metropolitan Museum of Art, where it remains on public view. Its inclusion in a major museum collection highlights the enduring appreciation of Qian Xuan’s synthesis of literati themes and technical mastery, situating the work within the trajectory of Chinese landscape painting from the late Yuan through the early Ming era.

The handscroll titled Ode on Returning Home, painted by Qian Xuan in 1399, is part of the Metropolitan Museum of Art’s collection; its classification as a Yuan‑Ming landscape work and its depiction of a solitary figure in a boat are documented in its catalogue entries. As a representative example of Chinese ink art, the piece is regularly examined in scholarly studies of Qian Xuan’s synthesis of classical themes, shaping how later generations view his contribution to the landscape genre and reinforcing his standing within the historical narrative of Chinese painting.

This handscroll, titled "Ode on Returning Home," is a painting executed in ink, color, and gold on paper. It depicts a tranquil riverine landscape, unfolding a scene at dusk with ink-washed mountains, a solitary figure navigating a small boat, and humble dwellings nestled beneath willow trees. The work interprets a classical poem, inviting contemplation on themes of retreat and nature.